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In the midst of this bustle a Wallack came in to tell us that the bear had really got into the camp in the night, and that he had killed and partly eaten one of the horses. This confirmed the fact that the bear had been sighted by one of our party the day before; though we missed him, he had had his supper, and we were minus a horse.

The American women of the Commission, and others who, like Mrs. Wallack, had invented a plausible excuse to get to Paris and looked almost anachronistic in their smart gowns, their fresh faces, their bright, curious, glancing eyes. There were also officers in the uniform of Britain, and Alexina regarded them frankly, with no effort to deceive herself.

Legend, speaking in the voice of the veteran devotee of the drama, will say, for example, that of all the actors of this period there was no light comedian comparable with Lester Wallack; that he could thoroughly identify himself with character, though it did not always please him to do so; that his acting was so imaginative and so earnest as to make reality of the most gossamer fiction; and that his vivacity the essential element and the crown of comedy-acting was like the dew on the opening rose.

Not only did she believe that the time had come for Alexina to rest, but she longed for a fresh access of energy in the office that would in a measure relieve herself. Moreover, Mrs. Wallack was wealthy and had many wealthy friends. That meant more money for the oeuvre, always in need of money.

Wallack also alludes to a dinner which Thackeray gave at the old Delmonico's, at the corner of Broadway and Chambers Street, at the end of his first visit to this country. He had been most warmly received, and he had given universal delight by his lectures upon the English Humorists. The charm of these lectures is evident in the reading, but the pleasure of hearing them is quite indescribable.

The best days of Edwin L. Davenport and the younger James Wallack are brought to mind by them. In the drama of The Middleman Willard had to impersonate an inventor, of the absorbed, enthusiastic, self-regardless, fanatical kind. Cyrus Blenkarn is a potter.

Lester Wallack, in his peerless elegance; Laura Keene, in her spiritual beauty; the quaint, eccentric Walcot; the richly humorous Blake, so noble in his dignity, so firm and fine and easy in his method, so copious in his natural humour; Mary Gannon, sweet, playful, bewitching, irresistible; Mrs.

Arriving at a fringe of wood, I was not a little surprised to see emerge from thence a sturdy Wallack, carrying the usual long staff, armed with an axe at one end. I say surprised, because he at once joined in with us, and though I had not seen him during our climb, I had my strong suspicions that he had followed us all the way.

Unless the traveller had brought historic facts with him to Gradischtie, he would hardly be induced to search for tesselated pavements and relics of royalty amongst the piggeries of this dirty Wallack village. It is a literal fact that a very fine specimen of Roman pavement exists here in an unsavoury outhouse, not unknown to pigs and their congeners.

A pretty sort of a guide he turned out to be. He had led us quite wrong, and in fact found all of a sudden that he was on the verge of a precipice! There was a good deal of unparliamentary language, expressed in tones both loud and deep. It was an act of unwisdom, however, to stop there in a heap on the grassy slope of a precipice, swearing in chorus at the poor devil of a Wallack.