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Updated: June 1, 2025


My sister Anna." "Ah! that's Madame Karenina," said Vronsky. "You know her, no doubt?" "I think I do. Or perhaps not...I really am not sure," Vronsky answered heedlessly, with a vague recollection of something stiff and tedious evoked by the name Karenina. "But Alexey Alexandrovitch, my celebrated brother-in-law, you surely must know. All the world knows him."

He painted with her as his model, admired her beauty and mediaevalism, and Anna dared not confess to herself that she was afraid of becoming jealous of this nurse, and was for that reason particularly gracious and condescending both to her and her little son. Vronsky, too, glanced out of the window and into Anna's eyes, and, turning at once to Golenishtchev, he said: "Do you know this Mihailov?"

"Ah, Princess Marya Borissovna, she's exquisite!" said Stepan Arkadyevitch, and he told an anecdote about her which set them all laughing. Vronsky particularly laughed with such simplehearted amusement that Levin felt quite reconciled to him. "Well, have we finished?" said Stepan Arkadyevitch, getting up with a smile. "Let us go."

Near a lady in a turban and a bald old man, who seemed to wave angrily in the moving opera glass, Vronsky suddenly caught sight of Anna's head, proud, strikingly beautiful, and smiling in the frame of lace. She was in the fifth box, twenty paces from him. She was sitting in front, and slightly turning, was saying something to Yashvin.

Many fashionable young ladies who were jealous of Anna and were weary of hearing her praised, were malignantly pleased to hear rumours to her disparagement and to feel justified in alluding scornfully to her. Vronsky received a message from his mother in Moscow. She desired him to come to her.

Just as his bodily strength was still unaffected, in spite of the bees, so too was the spiritual strength that he had just become aware of. "Do you know, Kostya, with whom Sergey Ivanovitch traveled on his way here?" said Dolly, doling out cucumbers and honey to the children; "with Vronsky! He's going to Servia."

Everything about his face and figure, from his short-cropped black hair and freshly shaven chin down to his loosely fitting, brand-new uniform, was simple and at the same time elegant. Making way for the lady who had come in, Vronsky went up to the princess and then to Kitty.

"Is there an answer?" she inquired. "I'll see this minute," answered the porter, and glancing into his room, he took out and gave her the thin square envelope of a telegram. "I can't come before ten o'clock. Vronsky," she read. "And hasn't the messenger come back?" "No," answered the porter.

Towards morning, there was a return again of excitement, rapid thought and talk, and again it ended in unconsciousness. On the third day it was the same thing, and the doctors said there was hope. That day Alexey Alexandrovitch went into the boudoir where Vronsky was sitting, and closing the door sat down opposite him.

He forgave Vronsky, and pitied him, especially after reports reached him of his despairing action. He felt more for his son than before. And he blamed himself now for having taken too little interest in him. But for the little newborn baby he felt a quite peculiar sentiment, not of pity, only, but of tenderness.

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