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Updated: June 20, 2025
She hurried back to Tatsu, seized his clenched hand with her small, icy fingers, and almost dragged him from the room. Kano sat as she had left him, motionless, now, as the white jade vase within the tokonoma. His anger, crimson, blinding at the first possession, had heated by now into a slow, white rage. All at once he began to tremble.
It may also be only ten feet square. It may, in extreme cases, be much less; for a certain kind of Japanese garden can be contrived small enough to put in a tokonoma.
The go-between and a few friends of the bridegroom come out to receive the bride and deliver her to her own servant and two of her own young maiden friends, who had gone before to the Yamashiro mansion. The room in which the families of the bride and groom and their immediate friends are waiting, though guiltless of "furniture," as all Japanese rooms are, is yet resplendent with gilt-paper screens, bronzes, tiny lacquered tables and the Japanese nuptial emblems. On the wall hang three pictured scrolls of the gods of Long Life, of Wealth and of Happiness. On a little low table stands a dwarf pine tree, bifurcated, and beneath it are an old man and an old woman. Long life, a green old age, changeless constancy of love and the union of two hearts are symbolized by this evergreen. In the tokonoma (or large raised recess) of the room are the preparations for the feast, the wine-service consisting of kettles, decanters and cups. On two other tables are a pair of white storks and a fringed tortoise. All through the rooms gorgeously painted wax candles burn. The air of the apartment is heavy with perfume from the censer, a representation in bronze of an ancient hero riding upon a bullock. All the guests are seated
This sketch, unfinished, for the Kappa was a mere indication of red locks and a tall, thin form, stood against a pillar of the tokonoma at just the angle where the soft light of the butsu-dan shed a pale glow across it. Brushes, paints, and various small saucers littered the floor. Tatsu had stopped his work abruptly, overcome by the very power of his own delineation.
In the centre is the sword-rack, found in every samurai's house, yet now obsolete, since Japan's chivalry have laid aside their two swords. On the other half of the room, occupying the same side as the tokonoma, is a series of peculiar shelves like those of an open Japanese cabinet, though larger; and at the top of these is a little closet closed by sliding doors.
With sullen anger the despot entered the tea-room, but a sight waited him there which completely restored his humour. On the tokonoma, in a rare bronze of Sung workmanship, lay a single morning-glory the queen of the whole garden! In such instances we see the full significance of the Flower Sacrifice. Perhaps the flowers appreciate the full significance of it. They are not cowards, like men.
Such a garden, in a vessel no larger than a fruit-dish, is called koniwa or toko-niwa, and may occasionally be seen in the tokonoma of humble little dwellings so closely squeezed between other structures as to possess no ground in which to cultivate an outdoor garden.
So still was the place that the caged cricket hanging from the eaves of Umè's distant room beat time like an elfin metronome. Two of the four walls of the guest-room were of shoji, a lattice covered with translucent rice-paper. These opened directly upon the garden. The third wall, a solid one of smoke-blue plaster, held the niche called "tokonoma," where pictures are hung and flower vases set.
She performed her duties with the precision of a clock, with the soft alarm wound to strike at a certain hour, then to be set aside to tick unobtrusively on till needed again. The seat of honor in a Japanese home is a small alcove designated as "the Tokonoma." In this ancient house simple decorations of a priceless scroll and a flowering plum graced the recess.
It means a place in which to lay a bed, and, in theory, is a guest-chamber in which to lodge the Mikado, the Japanese Emperor. So loyal are the Japanese that every house is supposed to contain a room ready for the Emperor in case he should stay at the door and need a night's lodging. The Emperor, of course, never comes, and so the tokonoma is no more than a name.
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