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Updated: May 15, 2025


Siddons had a majestic manner of extending her arm as she left the stage. 'What grace! said the world, with tears in its eyes, 'what dignity! what a wonderful way of extending an arm! you see her whole soul is in the part! The arm was in reality stretched impatiently out for a pinch from the snuff-box that was always in readiness behind the scenes."

Siddons stepped out, and turned to pay her bearers a most simple action but so elevated in the doing that even it, I thought, could not bring her to the level of common humanity. The tall, cloaked, and hooded figure, and the tones that issued thence, made her, even in that narrow passage, under the one flaring tallow-candle, a veritable Queen of tragedy at least so she seemed to us two.

Jameson a mistake and a failure so beyond the limits of art, a mere imitation of a repulsive physical fact; and finally she pronounces that Rachel has talent but not genius; while it is the "entire absence of the high poetic element which distinguishes Rachel as an actress, and places her at such an immeasurable distance from Mrs. Siddons, that it shocks me to hear their names together".

In Paris he saw Madame de Stael, who overwhelmed him with eager questions about his remote and unknown country, and in London he was enchanted by Mrs. Siddons. Siddons, and the great actress said to him, in her deepest voice and with her stateliest manner, "You've made me weep." The modest young author was utterly abashed, and could say nothing.

The great actors are comparatively unnoticed, Garrick, Siddons and Kean being only introduced incidentally, while a whole chapter is given to "the ill-fated Mossop." This is consistent with the general design of the book, but there was no good reason for a fresh repetition of the oft-told tale of the Ireland forgeries. There are, as Mr.

Cecilia Siddons and I have opened a poetical correspondence; she writes very prettily indeed. Perhaps, had she not had such a bad subject as myself to treat of, I might have said more of her verses.

Mrs. Henry Siddons held a peculiar position in Edinburgh, her widowed condition and personal attractions combining to win the sympathy and admiration of its best society, while her high character and blameless conduct secured the respect and esteem of her theatrical subjects and the general public, with whom she was an object of almost affectionate personal regard, and in whose favor, as long as she exercised her profession, she continued to hold the first place, in spite of their temporary enthusiasm for the great London stars who visited them at stated seasons.

Siddons in "Isabella." Mrs. Siddons first played this part at Drury Lane on October 10, 1782. The play was "Isabella," a version by Garrick of Southerne's "Fatal Marriage." Mrs. Siddons also appeared frequently as Isabella in "Measure for Measure;" but Lamb clearly says "in" Isabella, meaning the play. Lamb's sonnet, in which he collaborated with Coleridge, on Mrs.

Ib. p. 118. But their Saints, who would stop their ears if you should mention with admiration the name of a Garrick or a Siddons; who think it a sin to support such an 'infamous profession' as that through the medium of which a Milton, a Johnson, an Addison, and a Young have laboured to mend the heart, &c. Whoo! See Milton's Preface to the Samson Agonistes. Ib. p. 133.

Siddons, who moved not a step but in a poetic atmosphere, through which the fiercest passions seemed rather to loom like distant mountains when first descried at sea, massive and solid, yet resting on air.

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