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Updated: September 3, 2025


Of Stanley Werner I had heard a great deal, through interviews, character studies, and other press stuff in the photoplay journals and the Sunday newspaper film sections. Now I found him to be a high-strung individual, so extremely nervous that it seemed impossible for him to remain in one position in his chair or for him to keep his hands motionless for a single instant.

To make a more elaborate showing of what is meant by architecture-in-motion, let us progress through the centuries and suppose that the builder has this enthusiasm for France, that he is slowly setting about to build a photoplay around the idea of the Maid. First let him take the mural painting point of view.

If this is the outcome of esthetic analysis on the one side, of psychological research on the other, we need only combine the results of both into a unified principle: the photoplay tells us the human story by overcoming the forms of the outer world, namely, space, time, and causality, and by adjusting the events to the forms of the inner world, namely, attention, memory, imagination, and emotion.

When, in the minds of the deluded producers, the beholders should be weeping or sighing with desire, they are prophesying the next step to one another in worldly George Ade slang. This is illustrated in another good Action Photoplay: the dramatization of The Spoilers. The original novel was written by Rex Beach. The gallant William Farnum as Glenister dominates the play. He has excellent support.

The real death in the photoplay is the ritualistic death, the real birth is the ritualistic birth, and the cathedral mood of the motion picture which goes with these and is close to these in many of its phases, is an inexhaustible resource. The film corporations fear religious questions, lest offence be given to this sect or that.

We have sought the aim which underlies all artistic creation and were led in this search to paths which seem far away from our special problem, the art of the photoplay. Yet we have steadily come nearer to it. We had to go the longer way because there can be no other method to reach a decision concerning the esthetic value and significance of the photoplay.

The moving picture business men do not realize that they have to face these nervous conditions in their erstwhile friends. They flatter themselves they are being pursued by some reincarnations of Anthony Comstock. There are several reasons why photoplay corporations are callous, along with the sufficient one that they are corporations. First, they are engaged in a financial orgy.

They show that the progress of the photoplay did not lead to a more and more perfect photographic reproduction of the theater stage, but led away from the theater altogether.

The plot of the Action Photoplay is literally or metaphorically a chase down the road or a hurdle-race. It might be well to consider how typical figures for such have been put into carved material. There are two bronze statues that have their replicas in all museums. They are generally one on either side of the main hall, towering above the second-story balustrade.

This is the second case of the thing I have argued as being generally impossible in a photoplay chronicle of a private person, and which the considerations of chapter twelve indicate as exceptional. We trace the innermost psychology of one special citizen step by step to the crisis, and that path is actually the primary interest of the story. The climax is the confession to the detective.

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