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Updated: June 29, 2025
For amongst the neighbouring Esthonians, as we have seen, the last sheaf is called the Rye-boar. Somewhat similar customs are observed in Germany. In the Salza district, near Meiningen, a certain bone in the pig is called "the Jew on the winnowing-fan." The flesh of this bone is boiled on Shrove Tuesday, but the bone is put amongst the ashes which the neighbours exchange as presents on St.
The Meiningen orchestra is famous for its wind, and when, at the first concert, I heard Beethoven's Rondino for wind instruments, it seemed to me that I was hearing brass for the first time as I had imagined brass ought to sound. Here was, not so much a new thing which one had never thought possible, as that precise thing which one's ears had expected, and waited for, and never heard.
Hans von Bülow, who claimed that a pianist should have more than two hundred compositions in his repertoire, was himself equally at home in orchestral music. He always conducted his Meiningen Orchestra without notes. Let us say, then, that the present-day pianist ought to have about two hundred compositions in his repertoire, all of which must be played without notes.
At the University he spent his time in writing instrumental music. Then Bülow and Radecke made him play in Berlin; and Bülow, who became very fond of him, had him brought to Meiningen as Musikdirector. From 1886 to 1889 he held the same post at the Hoftheater in Munich. From 1889 to 1894 he was Kapellmeister at the Hoftheater in Weimar.
Lotte had but a slender portion, and then there was that dreadful von in her name. To meet this difficulty Schiller procured the title of 'Hofrat' from the Duke of Meiningen. Then he laid the case before Karl August of Weimar, who was very sympathetic but also very poor. The best he could do was to promise shamefacedly a pittance of two hundred thalers by way of professorial salary.
Dalberg, superintendent of the Manheim theatre, put the play on the stage in 1781, and in October, 1782, Schiller decided his destiny by escaping secretly from Stuttgart beyond the frontier. A generous lady, Madam von Wollzogen, invited him to her estate of Bauerbach, near Meiningen.
At the performance of the day before yesterday the following princely personages, strangers here, were present: the Duke of Coburg, the Duke of Mecklenburg-Schwerin and his wife, Prince Charles of Prussia, the Hereditary Prince of Meiningen and his wife, Princess Charlotte of Prussia, the son of the Prince of Prussia, heir-presumptive to the throne, the Prince of Sondershausen; also several ambassadors from Dresden, General Wrangel, and Prince Pukler-Muskau.
He, of course, more than fulfilled this requirement, not only for piano but for orchestral music. As conductor of the famous Meiningen orchestra, he directed every work given without a note of score before him considered a great feat in those days. He was a ceaseless worker, and his eminence in the world of music was more largely due to unremitting labor than to genius.
Lieutenant Meiningen was successor to a man who was burned to death in mid-air a week before; and on the day before a French airman had dropped a bomb from the clouds that missed this same balloon by a margin of less than a hundred yards close marksmanship, considering that the airman in question was seven or eight thousand feet aloft, and moving at the rate of a mile or so a minute when he made his cast.
In Sigmaringen, Altenburg, and Meiningen the constitutional movement was, on the contrary, countenanced and encouraged by the princes. Pauline, the liberal-minded princess of Lippe-Detmold, had already drawn up a constitution for her petty territory with her own hand, when the nobility rose against it, and, aided by the federal assembly, compelled her to withdraw it.
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