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Updated: June 22, 2025
It was unfortunate that the craze for experiment and innovation should, for a time probably a brief time have had so strange and uncouth an effect upon so fine and sensitive a genius. Mr. Masefield was and is a lyrical poet, fitted to express the personal emotions which lyrical poetry can support.
"By our navy we went there and were kept there," writes Mr. John Masefield in Gallipoli, "and by our navy we came away. During the nine months of our hold on the peninsula over 300,000 men were brought by the navy from places three, four, or even six thousand miles away. During the operations some half of these were removed by our navy, as sick and wounded, to ports from 800 to 3000 miles away.
One should remember also that in these two poems so interesting to compare in so many different ways Tennyson tried to elevate a homely theme into "poetry"; whereas Mr. Masefield finds the truest poetry in the bare facts of life and feeling. Tennyson is at his best outside of drama, wherever he has an opportunity to adorn and embellish; Mr.
I have. Not yet thirty, Mr. Aiken is widely known; but the duration of his fame will depend upon his future work. He has thus far shown the power to write melodious music, to paint nature pictures in warm colours; he is ever on the quest of Beauty. His sensible preface to Earth Triumphant calls attention to certain similarities between his style in verse-narrative and that of John Masefield.
Masefield The Everlasting Mercy The Widow in the Bye Street and its Chaucerian manner his masterpiece The Daffodil Fields similarities to Wordsworth the part played by the flowers comparison of The Daffodil Fields with Enoch Arden the war poem, August 1914 the lyrics the sonnets the novels his object in writing his contribution to the advance of poetry. Poets are the Great Exceptions.
They were a hard, tight-fisted lot, the Ruylers, and Price in one secluded but cherished wing of his mind was unlike them only because his mother was the daughter of Masefield Price and would have been an artist herself if her scandalized husband would have consented.
For all they knew or cared we might be frantically embedded in the belief that all poetry begins and ends with John Masefield, and it might infuriate or depress us to have a daily sample of Wordsworthian products flung at us." "Well, let's get on with the letter of thanks," said Egbert. "Proceed," said Janetta. "'How clever of you to guess that Wordsworth is our favourite poet," dictated Egbert.
Masefield is a twentieth century poet, it would be a mistake to suppose that he has originated the doctrine that the poet should speak in a natural voice about natural things, and not cultivate a "diction." Browning spent his whole life fighting for that doctrine, and went to his grave covered with honourable scars. Wordsworth successfully rebelled against the conventional garments of the Muse.
Dreiser does break with it morally, spiritually, aesthetically. Let the dotards, he says, bury their dead. Mr. Mencken wishes to drive us out of Colonialism. He says that Longfellow has had his day, and that it is time to stop imitating Addison, time to be ashamed of aping Stevenson, Kipling, or John Masefield. He is right.
One of the earlier books had been dedicated to John Masefield, to whom in the present preface the author pays an affectionate compliment "John Masefield, who has given a poet's praise to work that I hope he likes half as well as I like his." The first poem, Symbols, prepares the reader for what is to follow, though it is somewhat lacking in the technique that is characteristic of most of Mr.
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