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Updated: June 13, 2025
Now this intense, dynamic fashion of revealing character through narrative talk and it is commonly a whole life-story which is condensed within the few lines of a dramatic monologue touches lyricism at two points. The first is the fact that many dramatic monologues use distinctively lyric measures.
I practice medicine, and so much so that sometimes in the summer I perform post-mortems, though I have not done so for two or three years. Of authors my favourite is Tolstoy, of doctors Zaharin. All that is nonsense though. Write what you like. If you haven't facts make up with lyricism. MELIHOVO, STATION LOPASNYA, MOSCOW-KURSK LINE. March 7, 1892. This is our new address.
It is in songs of an untrammelled lyricism that his art finds its chief opportunity. This is music of blithe and captivating allurement, of grave or riant tenderness, of compelling fascination; and in it, the word and the tone are ideally mated.
He was so little of a dramatist that all of his heroes, like Poe's, are images of himself. No matter what the raw material of his narrative poems may be, they become uniformly "Byronic" as he writes them down. And all this is "lyricism," however disguised.
One suspected, far back in the yeoman strain, a hurried, possibly furtive marriage with gypsy or Jew; a sudden blossoming into lyricism on the part of a soil-stained Masters. Certainly from somewhere Sir John had inherited an imagination which was not insular. Dangerous men, these Sir Johns, with their hooked noses and their lyric eyes! Mrs. Malcolm described him as fascinating.
Before he began to write, the movement towards a greater restraint, a more deliberate art, had shown itself in a few short novels by GEORGE SAND the first of the long and admirable series of her mature works where, especially in such delicate masterpieces as La Mare au Diable, La Petite Fadette, and François le Champi, her earlier lyricism and incoherence were replaced by an idyllic sentiment strengthened and purified by an exquisite sense of truth.
It certainly was lacking in lyricism, too much so, perhaps." He rose and went into his bedroom to make sure that the fire was burning brightly, then he returned and sat down, without even arranging his room as he had the other times. Now that he no longer cared for this woman, gallantry and self-consciousness had fled. He awaited her without impatience, his slippers on his feet.
In reality, the Countess, with all her romanticism, did not care for long and compromising liaisons, but for hotel adventures, which leave neither vivid memories nor deep imprints. Caesar noted that despite her lyricism and her sentimental talk, there was a great deal of firmness in this plump woman, and a lack of sensitiveness.
Between this relapse into lyricism and a much stronger work came the amusing Beginning in Life, suggested by his sister Laure's tale, Un Voyage en Coucou, and giving the adventures of the young Oscar Husson, a sort of Verdant Green, whose pretentious foolishness leads him into scrapes of every kind, until, having made himself the laughing-stock of all around him, and compromised many, he enlists and goes to the wars, whence he returns maimed for life.
But Ravel is full of a lyricism, a piercingness, a passionateness, that much of the music of Debussy successive to "Pelléas" wants. We understand Ravel's music, in the famous phrase of Beethoven, as speech "vom Herz zu Herzen." And we turn to it gratefully, as we turn to all art full of the "sense of tears in mortal things," and into which the pulse of human life has passed directly.
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