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The probable explanation is that the Seventy-second Psalm was the last psalm of the old Davidic hymn-book; the compiler made it the last one of this second book, and carelessly copied into this psalm the inscription with which the old book ended. The second of these hymn-books begins, therefore, with Psalm xlii., and ends with Psalm lxxii., a collection of thirty-one songs of praise.
The like prophecy of Christ we have Psal. lxxii. 11, “All kings shall fall down before him; all nations shall serve him.” But I ask, Have not the kings of the earth hitherto, for the most part, set themselves “against the Lord, and against his Anointed”? Psal. ii. 2.
For mood see A 312, G 604, H 513, II. QUAM ... INGREDIUNDUM SIT: this construction, the neuter of the gerundive with est followed by an accusative case, is exceedingly rare excepting in two writers, Lucretius and Varro. See the full list of examples given by Roby, Gram., Pref. to vol. 2, p. LXXII. A 294, c, H 371, I. 2, 2, n.
The form and contents of these psalms, as well as their position, suggest that they are the oldest collection in the book. In the Greek version all the psalms of the collection found in li-lxxii., excepting Psalm lxvi., which is anonymous, and lxxii., which is attributed to Solomon, have also the Davidic superscription.
LXXII. During the whole time of his seclusion at Capri, twice only he made an effort to visit Rome. Once he came in a galley as far as the gardens near the Naumachia, but placed guards along the banks of the Tiber, to keep off all who should offer to come to meet him.
LXXII. After the infantry were routed, and Pompeius seeing the dust conjectured what had befallen the cavalry, what reflections passed in his mind, it is difficult to say; but like a madman more than anything else and one whose reason was affected, without considering that he was Magnus Pompeius, without speaking a word to any one, he walked slowly back to his camp, so that one may properly apply to him the verses
A very pleasing blanket is shown in Plate LXXII, No. 2 in which the designs are identified as a rice cake, and b as a star, while the whole pattern is known as kalayan the river. The textile in Plate LXXIII, No. 1 imitates a mat, while No. 2 is known as kosikos the circle.
The epithets אל גבור and אבי־עד, in Is. ix. 6, 7, the Rabbi explained, as denoting the reign of Messiah to be full of peace and happiness for all mankind, quoting Psalm lxxii., observing properly, the words first refer to Solomon, and then to the Messiah.
Et existimabam cognoscere hoc: labor est ante me And I desired that I might know this thing: labour in my sight.-Ps. lxxii. 16. Master Blytchett told me that Master Richard was still asleep. He had blooded him last night, and reduced the fever, but God only could save his life. For himself, he thought that the young man would die before night, and he did not know whether he would speak again.
LXXII. After Alexander was come to the city of Ekbatana in Media, and had despatched the most weighty part of his business there, he gave himself up entirely to devising magnificent spectacles and entertainments, with the aid of three thousand workmen, whom he had sent for from Greece.
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