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If no progress can be traced in the standpoint of any one character of the Play, save possibly in that of Adriana, is there yet not to be seen a gradual bringing forward of the traits inwardly differentiating the two pairs of twins, and stamping the personality of Adriana and Luciana and even in a slighter degree of the Goldsmith, the Creditor Merchant, Egean, and the Abbess?

He complied, although unwillingly, as it would not suit the character of the rest of his design. Luciana was now at last released from her impatience. Her intention had been by no means to get a scientific drawing out of him.

To sit on the golden throne and represent the Zeus-like monarch, Luciana had picked out the finest and handsomest man of the party, so that this picture was really of inimitable perfection. For a third they had taken the so-called "Father's Admonition" of Terburg, and who does not know Wille's admirable engraving of this picture?

When Antipholus of Syracuse had finished his dinner, he was so perplexed at the lady's still persisting in calling him husband, and at hearing that Dromio had also been claimed by the cook-maid, that he left the house, as soon as he could find any pretence to get away; for though he was very much pleased with Luciana, the sister, yet the jealous-tempered Adriana he disliked very much, nor was Dromio at all better satisfied with his fair wife in the kitchen: therefore both master and man were glad to get away from their new wives as fast as they could.

"Violent passions are incurable diseases; the means which will cure them are what first make them thoroughly dangerous." "Passion is both raised and softened by confession. In nothing, perhaps, were the middle way more desirable than in knowing what to say and what not to say to those we love." So swept on Luciana in the social whirlpool, driving the rush of life along before her.

Though Adriana was furious with her husband because she thought he had been making love to her sister, she did not prevent Luciana from getting the purse, and she bade Dromio of Syracuse bring home his master immediately. Unfortunately, before Dromio could reach the police station he met his real master, who had never been arrested, and did not understand what he meant by offering him a purse.

She never had heard of the story till Luciana was gone; Ottilie, who had made one of the party present at the time, had to give her a circumstantial account of it. One of several daughters of a family of rank had the misfortune to have caused the death of one of her younger sisters; it had destroyed her peace of mind, and she had never been properly herself since.

"Hurt him not; he is mad. Take his sword away. Bind him and Dromio too." Dromio of Syracuse did not wish to be bound, and he said to his master, "Run, master! Into that abbey, quick, or we shall be robbed!" They accordingly retreated into the abbey. Adriana, Luciana, and a crowd remained outside, and the Abbess came out, and said, "People, why do you gather here?"

The Duke was touched. "He is free without a fine," he said. So AEgeon and AEmilia were reunited, and Adriana and her husband reconciled; but no one was happier than Antipholus of Syracuse, who, in the Duke's presence, went to Luciana and said, "I told you I loved you. Will you be my wife?" Her answer was given by a look, and therefore is not written.

The Count, a keen-sighted man, soon saw through the party, their inclinations, dispositions, wishes, and capabilities, and by some means or other contrived to bring Luciana to a new kind of exhibition, which was perfectly suited to her. "I see here," he said, "a number of persons with fine figures, who would surely be able to imitate pictorial emotions and postures.