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Updated: June 4, 2025
When Schott, the publisher, sent him in October, 1895, his royalties for the editions of his Lieder of Mörike, Goethe, Eichendorff, Keller, Spanish poetry, and the first volume of Italian poetry, their total for five years came to eighty-six marks and thirty-five pfennigs! And Schott calmly added that he had not expected so good a result.
These are in many cases well able to stand the test of comparison with the best of the German Lieder. A number of pieces for 'cello and piano are of equal value, as are also her violin works. Her last opera, "Konig Hiarne," suffers again from a weak libretto, but is made of worthy musical material.
Monkish fanaticism afterward destroyed the valuable relics. Fortunately, Northmen travelling in Germany had gathered some of those tale-treasures, which then were treated by Scandinavian and Icelandic bards in the form of heroic lyrics. Hence the Eddic lays in question form now a link between our lost Siegfried "Lieder" and our national epic.
The work is entitled Lieder des Pierrot Lunaire, the text of which is a fairly good translation of a poem cycle by Albert Guiraud. This translation was made by the late Otto Erich Hartleben, himself a poet and dramatist. I have not read the original French verse, but the idea seems to be faithfully represented in the German version. The piece is described as a melodrama.
Mendelssohn's "Lieder" gave a lighter recreation, and many a happy evening did we spend, my mother and I, over the stately strains of the blind Titan, and the sweet melodies of the German wordless orator. Musical "At Homes," too, were favourite amusements at Harrow, and at these my facile fingers made me a welcome guest.
The first lieder written to poems of Goethe were sober and apt: soon Schubert came and infused his romantic sentimentality into them and gave them a twist: Schumann introduced his girlish languor: and, down to Hugo Wolf, the movement had gone on towards more stress in declamation, indecent analysis, a presumptuous endeavor to leave no smallest corner of the soul unlit.
It was on the eve of the concert and they were counting on the Lieder: she had talked about them: she was musician enough to appreciate certain of their qualities: Christophe insulted her: and as she was not sure that the morrow's concert would not set the seal on the young man's fame, she did not wish to quarrel with a rising star.
The fields remained as when last cropped, and if we went to the Cottage no merry sound of music came from the school room. We mounted the stairs without meeting the classic face or the elastic step and figure of the Professor or his fair sister, and in vain did we look for the concourse of books where once he wielded his modest pen and translated his German "lieder"
Once, as the afternoon rehearsal was disbanding, she crept up through a box to the stage. The footlights were dark, but she came down quite freely toward them, seeming to feel their mock blaze, and sang a snatch or two from the tenderest Lieder ever written, bits of Schubert and Hugo Wolf, the company gathering in the wings to listen and applaud.
Simple in structure and sentiment, the Chopin lieder seem almost rudimentary compared to essays in this form by Schubert, Schumann, Franz, Brahms and Tschaikowsky. A word of recommendation may not be amiss here regarding the technical study of Chopin.
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