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Updated: May 9, 2025
Evan Graham half-started forward to take the honor of turning Paula's music, but saw in time that Dar Hyal had already elected to himself that office. Graham glimpsed the scene with quiet curious glances. The grand piano, under a low arch at the far-end of the room, was cunningly raised and placed as on and in a sounding board. All jollity and banter had ceased.
Dar Hyal joined the three sages in seating Paula at the concert grand which, Graham decided, was none too great for the great room. But no sooner was she seated than the three sages slipped away to what were evidently their chosen listening places. The young poet stretched himself prone on a deep bearskin forty feet from the piano, his hands buried in his hair.
"Then Wilde was wrong when he said woman attacks by sudden and strange surrenders?" Dar Hyal asked. "But don't you see," protested Leo, "all such talk makes woman a monster, a creature of prey." As he turned to Dick, he stole a side glance at Paula and love welled in his eyes. "Is she a creature of prey, Dick?"
"Terrence and Aaron will drive him to drink," Paula laughed her joy of anticipation. "And Dar Hyal, alone, with his blastic theory of art, can specially apply it to music to the confutation of all the first words and the last. He doesn't believe a thing he says about blastism, any more than was he serious when he danced the other evening. It's his bit of fun.
"But here, with us, you two pound your brass tacks, Terrence does a Greek dance of epicurean anarchism, Hancock waves the glittering veils of Bergsonian metaphysics, Leo makes solemn obeisance at the altar of Beauty, and Dar Hyal juggles his sophistic blastism to no end save all your applause for his cleverness. Don't you see? The effect is that there is nothing solid in any human judgment.
"No; an asinine attempt to make good farmers out of hopelessly poor ones," Mr. Wombold answered. "I contend that any farmer to-day who has no land of his own, proves by his lack of it that he is an inefficient farmer." "On the contrary," spoke up Dar Hyal, weaving his slender Asiatic fingers in the air to emphasize his remarks. "Quite on the contrary. Times have changed.
But she had joined two of the girls in the whispering, giggling seclusiveness of one of the big chairs, and, most of the company being deep in bridge, Graham found himself drifted into a group composed of Dick Forrest, Mr. Wombold, Dar Hyal, and the correspondent of the Breeders' Gazette. "I'm sorry you won't be able to run over with me," Dick was saying to the correspondent.
"Wicked woman," Dick reproved her in mock wrath; and, the next moment, joined her in persuading Dar Hyal to dance. And Dar Hyal succumbed, flinging Asia and the Asiatics to the winds, along with his arms and legs, as he weirdly parodied the tango in what he declared to be the "blastic" culmination of modern dancing. "And now, Red Cloud, sing Mr. Graham your Acorn Song," Paula commanded Dick.
Dar Hyal and Hancock likewise abandoned the discussion, each isolating himself in a capacious chair. Graham, seeming least attracted, browsed in a current magazine, but Dick observed that he quickly ceased turning the pages. Nor did Dick fail to catch the new note in Paula's voice and to endeavor to sense its meaning.
"And marriage laws, and divorces, and polygamy, and monogamy, and free love," Hancock rattled off. "And why, Leo," Dar Hyal queried, "is woman, in the game of love, always the pursuer, the huntress?" "Oh, but she isn't," the boy answered quietly, with an air of superior knowledge. "That is just some of your Shaw nonsense." "Bravo, Leo," Paula applauded.
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