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"Thirty-three Henris, of which two are bad, these I have set aside seven sols, and nine deniers, making in all thirty-one Henris, seven sols, and nine coppers of good money and this is all, monsieur." It was touching the afternoon, and I was going over the present state of my affairs with Pierrebon.

But its place is not here. And perhaps there will be a book about the Henris, also. But not for a long time, and even then with care. For the heroes of one department of an army in the field live and die unsung. Their bravest exploits are buried in secrecy. And that is as it must be. But it is a fine tale to go untold. After he had bathed and shaved, Henri sat down at a tiny table and wrote.

The brass braziers yonder, at which the courtiers of the Henris had warmed their feet, stamping the night out in cold ante chambers, had been secured at Blois; and his collection of tapestries, of stained glass, of Normandy brasses, and Breton carvings had made his own coast as familiar as the Dives streets.

"Capus, however, was drinking with the landlord, and his watch seems lax." "No, monsieur! The landlord was drinking with Capus, whom he had paid five gold Henris to cut all our saddlery to-night, especially the reins; the only saddlery to be spared is that of mademoiselle."

A masculine nom de plume has of late been a favorite device with the fair sex, partly for the reason that it is supposed to confer an ampler ease, and partly from an idea that male writers command a readier hearing and higher prices than female. We see a great many Henris, Georges, and the like on the title-pages of books which are a flimsy veil to conceal the pretty feminine figure behind.

For the present you will be the guest of Aramon that is, until you have paid me, and these gentlemen here, two thousand gold Henris fat gold Henris for all our trouble. Come! throw down the dagger! Put a good face on it!" We reined up on the edge of a shelving bank, and the Mable swirled before us. Beyond the alders on the opposite shore, but about a mile higher upstream, lay Richelieu.

In general, the aspect of the exterior of the Palais de Fontainebleau, the walls themselves, the Cours, the alleyed walks are chiefly reminiscent of the early art of the Renaissance. François I is, after all, more in evidence than the Henris or the Napoleons. Within, the same is true in general, though to a less degree.

Man! that is the very girl we want; and Monsieur the Vidame, who lies within, twisting in his chair, will pay a thousand fat, gold Henris for her when he knows. Ho! it will be rare news for him!" "Are you sure?" "As I live. Did I not watch her for a whole week at Saumur? 'Tis well we have not Aramon and the rest with us. The fewer there are the larger the shares. Can Malsain deal with the lackey?"

All this made so considerable a gulf in the thirty-one Henris that I resolved to transmute the diamond into gold. I consulted Sarlaboux, who, to his disgust, had been left behind in Poitiers. He looked at the diamond, and said he would buy it for a hundred and twenty livres; but protested, with oaths, that he had but ten crowns in the world, and would, therefore, not be able to pay me at once.

I was not, however, interested in the landscape but in the hard fact that thirty-one Henris, in round figures, would not carry me far in what I had before me. After a minute or so I came back again, and looked at the money and then at Pierrebon. It was a hopeless sum. "It is correct, monsieur," he said; "and, of course, we have the horses."