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By the eighteenth century the influence of Malory was scarcely felt at all; but his imaginativeness, as interpreted by Tennyson, in The Idylls of the King, and by William Morris, in his Defence of Guinevere, has given to the Anglo-Saxon world a new romantic background for its thoughts. The Idylls of the King are not Tennyson's most successful interpretation.
So King Arthur returned with his knights and lords and armies, in great triumph and joy, through all the countries he had conquered, and commanded that no man, upon pain of death, should rob or do any violence by the way. And crossing the sea, he came at length to Sandwich, where Queen Guinevere received him, and made great joy at his arrival.
We have followed the Guinevere of Mr. Tennyson through its detail, and have extracted largely from its pages, and yet have not a hope of having conveyed an idea of what it really is; still we have thought that in this way we should do it the least injustice, and we are also convinced that even what we have shown will tend to rouse an appetite, and that any of our readers, who may not yet have been also Mr.
Gawain, on seeing the shield, tells Elaine that the wounded knight is Lancelot, and she goes to seek him and Lavaine. Gawain does not pay court to Elaine, nor does Arthur rebuke him, as in the poem. When Guinevere heard that Lancelot bore another lady's favour, "she was nigh out of her mind for wrath," and expressed her anger to Sir Bors, for Gawain had spoken of the maid of Astolat.
For when Arthur put it on he appeared to be no longer a king, but a simple gardener's boy. On pain of discovery, however, he must always wear the cap, for when he took it off he showed himself once more as Arthur the King. So Arthur went to Cameliard disguised as a gardener's boy, and he sought work in the castle grounds where he might often behold the Lady Guinevere.
But Balin sees reason to think that Lancelot and Guinevere love even too well. "Then chanced, one morning, that Sir Balin sat Close-bower'd in that garden nigh the hall.
It was about five o'clock, when Walden, having passed a quiet day among his books, and having felt the sense of a greater peace and happiness at his heart than he had been conscious of since the May-day morning of the year, pushed aside his papers, rose from his chair, and, looking out at the dreary weather, wondered if the 'Guinevere' of the hunt had got safely home from her gallop across country.
After the battle, Leodegrance entertained Arthur and his friends at a great feast, at which Guinevere, the beautiful young daughter of the host, served the table. At the sight of the fair maid Arthur's heart was won, and ever after he loved her faithfully.
If one were to choose favourites from "The Defence of Guinevere," they would be the ballads of "Shameful Death," and of "The Sailing of the Sword," and "The Wind," which has the wind's wail in its voice, and all the mad regret of "Porphyria's Lover" in its burden. The use of "colour-words," in all these pieces, is very curious and happy.
Readers of the book were gratified to see their author clothed in such fitting and harmonious dress. Reading the text has instructed some, and possibly inspired a few to nobler thinking. After "The Defense of Guinevere" was published, it was thirteen years before Morris issued another volume. His days had been given to art and the work of management.
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