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Updated: June 7, 2025
I used to fix beforehand how often within a given time, and when, I would commit a debauch of opium. This was seldom more than once in three weeks, and it was usually on a Tuesday or a Saturday night; my reason for which was this: in those days Grassini sang at the opera, and her voice was delightful to me beyond all that I had ever heard.
Evidently something was going on there which appeared to them in the light of a joke, and to most of the guests in that of an insult. Signora Grassini alone did not appear to have noticed anything; she was fluttering her fan coquettishly and chattering to the secretary of the Dutch embassy, who listened with a broad grin on his face.
I remember your travelling with them when they went on to Paris." "Yes; I went as far as Leghorn to see Rivarez off for Marseilles. He wouldn't stop in Tuscany; he said there was nothing left to do but laugh, once the insurrection had failed, and so he had better go to Paris. No doubt he agreed with Signor Grassini that Tuscany is the wrong place to laugh in.
Catalani had already signed a contract with Goold and Taylor, the managers of the King's Theatre, Haymarket, at a salary of two thousand pounds a month and her expenses, besides various other emoluments. At the time of her arrival there was no competitor for the public favor, Grassini and Mrs. Billington having both retired from the stage a short time previously.
At the ovations, the tokens of affection on the part of gentlemen delighted her, but she had no thanks for the ladies when, with their enthusiasm, brilliant eyes, bewitching smiles, and flattering words, they endeavored to manifest their adoration and gratitude to the hero of Italy; she could barely keep back her tears when, at the reception which Talleyrand, the minister of foreign affairs, gave to Bonaparte, the beautiful songstress Grassini appeared, and, with her entrancing voice, sang the fame of the conqueror who had bound captive to his triumphal car, as the most precious booty, the proud songstress herself.
Reappearance in London in Italian and English Opera. Sketch of Mme. Mara's Early Lite. Her Great Triumphs on the English Stage. Anecdotes of her Career and her Retirement from England. Grassini and Napoleon. The Italian Prima Donna disputes Sovereignty with Mrs. Billington. Her Qualities as an Artist. Mrs. Billington's Retirement from the Stage and Declining Years.
Bonaparte, confirmed in his power by the victory of Marengo, remained some days longer at Milan to settle the affairs of Italy. He directed one to furnish Madame Grassini with money to pay her expenses to Paris. We departed amidst the acclamations of the inhabitants, and took the road to Turin.
"Yes; but once the man is here and is sure to be talked about, of course Grassini wants his house to be the first place where the new lion will be on show. You may be sure Rivarez has heard nothing of Grassini's disapproval. He may have guessed it, though; he's sharp enough." "I did not even know he had come." "He only arrived yesterday. Here comes the tea.
I confess I am at a loss to conceive what could induce Napoleon to invent such a story. He might have recollected his acquaintance with Madame Grassini at Milan before the battle of Marengo.
Many interesting anecdotes are told of this singer while in London, one of which, related by Kelly, then stage-manager, illustrates the difficulties of operatic management. Mrs. Billington was too sick to sing on one of her own nights, and Grassini was implored to take her place. But she obstinately refused to make the change, until the cunning Irishman resorted to a trick.
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