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He then set to work as much as possible without Gradus or other help, to clothe his idea in appropriate Latin or Greek, and would not be satisfied till he had polished it well up with the aptest and most poetic words and phrases he could get at. A fourth method, indeed, was used in the school, but of too simple a kind to require a comment.

He is even credited with having trilled in octaves with one hand. Taking upon himself the management of an English piano factory, he extended the keyboard, in 1793, to five and a half octaves. Seven octaves were not reached until 1851. His "Gradus ad Parnassum" became the parent of Etude literature. Carl Tausig said: "There is but one god in technique, Bach, and Clementi is his prophet."

This influence provoked the following dream: "His piano teacher reproaches him for neglecting his piano-playing, and for not practicing the Etudes of Moscheles and Clementi's Gradus ad Parnassum." In relation to this he remarked that the Gradus is only a stairway, and that the piano itself is only a stairway as it has a scale.

One was Fox's "Gradus ad Parnassum," a treatise on composition and counterpoint; the other Matheson's "The Complete Capellmeister." Happy in the possession of these books, Josef used every moment outside of school and choir practise to study them. He loved fun and games as well as any boy, but music always came first.

revocare gradus, superasque evadere ad auras and to get up moreover to make jokes with malice prepended there was the "labour," there the "work." No Egyptian taskmaster ever devised a slavery like to that, our slavery. No fractious operants ever turned out for half the tyranny, which this necessity exercised upon us.

Consequently he must first prepare his thoughts, and then pick out, from Virgil, Horace, Ovid, or perhaps more compendiously from his Gradus, halves and quarters of lines, in which to embody them. I never object to a certain degree of disputatiousness in a young man from the age of seventeen to that of four or five and twenty, provided I find him always arguing on one side of the question.

Quin immo. Nay but, nay more. These words connect the clause, though not placed at the beginning, as they are by other writers. They seem to be placed after pigrum in order to throw it into an emphatic position. So gradus quin etiam, 13, where see note. Possis. You, i.e., any one can. Cf. note II. 1, 10: laudares. So persuaseris in the preceding sentence.

As how, I pray, Sir? Scar. Why, Sir, a Water impregnated to a Circulation with prima Materia; upon my Honour, Sir, the strongest I ever drank of. Doct. How, Sir! did you drink of it? Scar. I only speak the words of Garamanteen, Sir. Doct. Scar. The Lunary Physicians, Sir, call it Urinam Vulcani, it calybeates every ones Excrements more or less according to the Gradus of the natural Calor.

In cuius obuiationis loco in ascensu procliuo huius montis per multos gradus construxerunt Ecclesiam, aedificium excellens, in honorem eiusdem virginis. Et alibuanto altius, per eiusdem montis ascensum est vetus Capella, quam vocant Eliae Prophetae, et locum specialiter appellant Horeb.

He looked flushed stern; and he flung his Gradus, and one or two other books in a heap, on the side table, with more force than was necessary; and himself into a chair, ditto. "Constance, I shall leave the school!" Constance, in her dismay, dropped the sugar-tongs into the sugar. "What, Tom?" "I shall leave the school!" he repeated, his tone as fiery as his face.