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Updated: June 18, 2025
Sir Gilbert Scott considered them late Decorated work, but they have rather the appearance of late Perpendicular. Over each seat is an ogee canopy, cinquefoil, crocketed, and surmounted by a huge finial. These canopies rest on square pillars, the sides of which are adorned with a sort of 'four-leaved flowers, while the capitals are encircled with foliage in which are animals and monsters.
Each division is filled with a geometrical pattern of two panels, each panel ending in a trefoil, with a circular trefoil in the head of each division, and a crocketed gable, terminating in a rich finial above it. All the mouldings of this arcade are very delicate.
It has a tympanum with S. Michael weighing souls and trampling on the Devil, and, below the lintel, two brackets with musicians, the hood mould running up in ogee-shape to a finial. The high-altar-piece is a Tintoretto S. Mark vested as a bishop and blessing, with a lion at his feet between SS. Bartholomew and Jerome, who are nearer the spectator.
He sat there so still and so long, that if it had not been for his resolute head and the blunt spires of his ears, he would have appeared to an onlooker below as no more than a humpy finial on an otherwise regularly built wall. Now and again the last inch of his tail twitched slightly, like an independent member, as he contemplated his thoughts.
The cathedral is a basilica with nave and aisles. The main apse is octagonal outside and semicircular within; the apse to the north aisle also exists; that of the south aisle has been replaced by a square chapel. The nave arcade consists of six bays of round arches, resting on five pairs of columns which, though they are made up with plaster and painted, are probably antique, since the caps differ enormously in height and column and cap frequently do not fit. Some of the capitals might be late Roman, but most of them are very rude imitations. Super-abaci are used. The ciborium is hexagonal and rests on six columns of Greek cipollino, with the top and bottom mouldings worked on them; the caps are Byzantine of the sixth or seventh century, but without super-abaci. The front arches have huge Renaissance swags in the spandrils and a moulded cornice with classic enrichments; at the back are three ninth-century panels with arch and spandril in one piece, carved with ornament similar to that on the baptistery of Calixtus at Cividale; the pyramidal roof terminates in a carved finial. The greater part of the building is of the thirteenth century. The church, having become ruinous in 1237, was restored in 1287, and again in 1438 and 1490. It is now the chief parish church of the diocese of Veglia. The west door belongs to the last restoration; in the tympanum is a poorly carved Piet
Above the central curves this moulding is broken and turned up to end in most curious cone-shaped horns, while from the middle there grows a large and elaborate finial. In the front of the new part overlooking the entrance court there are six windows, three in each floor.
The bishop's effigy lies, where it was found, on a high tomb with panelled sides, each having seven recesses separated by tiny buttresses. The canopy, ogee-shaped above, and with a plain elliptical arch below, was much mutilated, but seems to have been crocketed and terminated by a finial. It owes its present form to Mr. Cottingham, who restored it in 1840.
There are no ventilators in the roof, the top ventilation being effected by means of the sashes over the doors at each end, which are hung at the bottom for this purpose, and afford abundant ventilation for a house the length of this one. There is an ornamental crest along the ridge, and at each end a neat finial. DESIGN No. 10.
At this sound Lancelot Carnaby stopped from his rash venture into the water, and drew himself back into an ivied bush, which served as the finial of the little garden hedge. Peeping through this, he could see that the walk from the cottage to the hedge was newly sprinkled with gray wood ash, perhaps to prevent the rain from lodging and the snow from lying there.
These are the panels of "The Signs of the Zodiac," by Hermon A. MacNeil, who is better known to Exposition visitors by his finial group, "The Adventurous Bowman," on the Column of Progress. The idea of the overhanging, serene heavens, expressed by the Star Colonnade, is extended by these panels.
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