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For again, somehow, notwithstanding the babel without, that exquisite invitation "Ernani, Ernani, involami," assailed his ears. The valet waited a little, quiet and deferential in bearing, yet observing his master with a certain keenness and anxiety. "I saw Mr. Bates, as you desired, sir," he said at last. Richard looked up at him vaguely.

Lumley's management, as Elvira to Mr. Sims Reeves's Ernani, and the French critics were highly eulogistic over this fresh candidate for lyric honors. She did not highly strike the perfect key-note of her genius till she appeared as Leonora in "Fidelio," at Her Majesty's Theatre, in London, on May 20, 1851, Sims Reeves being the Florestan.

With tremendous exordium of brass, the tenor and baritone go at it with a will, showing off the power of their voices, following each other in canonic imitation, singing together in thirds and sixths, and finishing with a lurid unison, quite in the manner of Ruy Gomez and Ernani, or Othello and Iago.

The King eventually carries off Elvira as a hostage of the faith of Silva, whereupon the latter challenges Ernani. The bandit refuses to fight with him, informs him that the King is also his rival, and asks to share in his vengeance, promising in turn to give up his life when Silva calls for it, and presenting him with a horn which he is to sound whenever he wishes to have the promise kept.

She liked to read the paper, she liked her flowers, although she took none of the actual care of them, and she liked to listen to music; there was a mechanical piano in her room, and Susan often heard the music downstairs at night, and pictured the old lady, reading in bed, calling to Miss Baker when a record approached its finish, and listening contentedly to selections from "Faust" and "Ernani," and the "Chanson des Alpes."

Verdi's next work, a comic opera known alternatively as 'Un Giorno di Regno' and 'Il Finto Stanislao' was a failure. 'Nabucodonosor' and 'I Lombardi' established his reputation in his own country and won favour abroad; but the opera which gave him European fame was 'Ernani' . The story is an adaptation of Victor Hugo's famous play.

'Ernani' was followed by a series of works which, for the sake of Verdi's reputation, it is better to pass over as briefly as possible. His success provided him with more engagements than he could conscientiously fulfil, and the quality of his work suffered in consequence.

"That youth with languishing brown eyes, who parted his 'hyacinthine tresses' in the middle of his head; whose moustache required Ehrenberg's strongest glasses and who absolutely believed that Ristori singled him out of her vast audiences as the most appreciative of her listeners; who was eternally humming 'Ernani' and raving about 'Traviata. Your memory is treacherous as your conscience?

The third scene opens in Elvira's apartments, and is introduced with one of the most beautiful of Verdi's arias, "Ernani, involami," with which all concert-goers have become acquainted by its frequent repetition. This is followed in turn by a trio between the two and Ernani.

And above this, superior to, yet nobly supported by it, Morabita's voice rose in the suave and passionate phrases of the glorious cavatina "Ernani, Ernani, involami, all aborito ampleso." Yes, her voice was as good as ever! Richard drew a long breath of relief. Here, at least, was something true to itself, and amid so much of change, so much of spoiling, still unspoilt!