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Updated: May 13, 2025


To hear once more, after death, the voice of my mother, to meet my children again, to see my Enrico once more, my Enrico, blessed and immortal, and to clasp him in an embrace which shall nevermore be loosed, nevermore, nevermore to all eternity! Oh, pray! let us pray, let us love each other, let us be good, let us bear this celestial hope in our hearts and souls, my adored child! Saturday, 4th.

Here the teacher interrupted herself. "But you will not do so, little one?" she said, raising her humid eyes, and kissing my brother. "You will not turn aside your head, will you? You will not deny your poor friend?" Thursday, November 10th. In the presence of your brother's teacher you failed in respect to your mother! Let this never happen again, my Enrico, never again!

A short time after George's entrance into the Colonel's presence Harry answered back a remark of George's to the effect that he hated sporting by saying, "I say one thing, George." "Say twenty things, Don Enrico," cries the other. "If you are not fond of sporting and that, being cleverer than me, why shouldst thou not stop at home and be quiet, and let me go out with Colonel George and Mr.

Again almost reconciled with the elder, the appeased mother stood giving a hand to each of her sons. George put his disengaged hand on Harry's shoulder. "I say one thing, George," says he with a flushing face. "Say twenty things, Don Enrico," cries the other.

Men who pull oars have round shoulders, but the gondolier does not pull an oar, he pushes it, and as a result has a flat back and brawny chest. Enrico had these, and as he had no nerves to speak of, the passing years had taken small toll. Enrico was sixty. Once he ran alongside another gondola and introduced me to the gondolier, who was his son. They were both of one age.

Whereas, Our eldest son, Prince Prigio, hath of late been guilty of several high crimes and misdemeanours. First: By abandoning the post of danger against the Firedrake, whereby our beloved sons, Prince Alphonso and Prince Enrico, have perished, and been overdone by that monster. Secondly: By attending an unseemly revel in the town of Gluckstein, where he brawled in the streets.

The prince poured a few drops of the water from the Fountain of Lions on them, and up, of course, jumped Enrico, just as Alphonso had done. "Sleepy old chap you are, Enrico," said the prince; "but come on, Alphonso will have finished the grub unless we look smart."

It is the corresponding reaction, but in the opposite direction. But that is all four hundred years ago. Enrico Persevalli has just reached the position. He is Hamlet, and evidently he has great satisfaction in the part. He is the modern Italian, suspicious, isolated, self-nauseated, labouring in a sense of physical corruption. But he will not admit it is in himself.

These paintings were in the churches when their fathers and mothers were alive, they are here now, and no church has been built in Venice for three hundred years. The history of Venice is nothing to a gondolier. "Why, Signore! how should I know? Venice always has been," explained Enrico, when I asked him how old the city was. When I hired Enrico I thought he was a youth.

There he found Enrico Simonetti seated on a stool, clutching his hair with both hands, while around him stood a group of his assistants, voicing their anguish like a pack of foxhounds. "Koosh!" Morris cried. "What is the trouble here?"

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