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As a matter of fact, it merely exhausted the force of both countries; and Japan had little to show for her dearly bought victories abroad except the Mimidzuka or "Ear-Monument" at Nara, marking the spot where thirty thousand pairs of foreign ears, cut from the pickled heads of slain, were buried in the grounds of the temple of Daibutsu....
The Nara epoch has not bequeathed to posterity many relics of the great religious edifices that came into existence under Imperial patronage during its seventy-five years. Built almost wholly of wood, these temples were gradually destroyed by fire. One object, however, defied the agent of destruction. It is a bronze Buddha of huge proportions, known now to all the world as the "Nara Daibutsu."
These works were the Osaka Castle, in 1583; a palace for the retiring Emperor Okimachi, in 1586; the palace of Juraku, in 1587; the Kyoto Daibutsu, in 1586, and the Momo-yama Palace, in 1594. What sum these outlays aggregated no attempt has been made to calculate accurately, but the figure must have been immense.
It was the eighth day of the fourth moon. "That's bronze, too," he remarked, tapping it. "Bronze josses are getting rare. We used to buy them up and sell them for old metal. Wish I'd kept some of them! You ought to have seen the bronzes, in those days, coming in from the temples, bells and vases and josses! That was the time we tried to buy the Daibutsu at Kamakura." "For old bronze?" I queried.
"Nothing but a boy, and yet think what he has done!" were phrases heard on every side. Papa Claude corralled him in the corner with the Daibutsu and pompously presented each guest in turn. Quin felt smothered by the incense and the flattery. His collar grew tight, perspiration beaded his brow, and he began to cough. "Effects of mustard-gas," Papa Claude explained in a stage whisper.
When I went to see the Daibutsu at Kamakura, haying wrapped up myself from head to toe with a blanket, a rikisha man addressed me as "Gov'ner." I have been mistaken on many occasions for as many things, but none so far has counted on me as a probable connoisseur of art. One should know better by my appearance.
To this chapter of history belongs the attitude of Ieyasu towards the memory of his old friend and benefactor, Hideyoshi. He caused to be levelled with the ground the temple of Toyokuni Daimyo-jin, where the spirit of Hideyoshi was worshipped, and he ordered the removal of the tomb of the Taiko from Amidagamine to a remote corner of the Daibutsu enclosure.
"Much obliged!" M. Butscher had a good-sized, rambling house, with verandas for dining, and bedrooms for sleep. We found him on his largest table, lying flat on his back, and contemplating, in the eternal and perplexing way of the Polynesians. The Daibutsu, the great Buddha of Kamakura, had no more peaceful, meditative aspect than had the Taravao taverner.
The great hall in which the image stood had a height of 120 feet and a width of 290 feet from east to west, and beside it two pagodas rose to a height of 230 feet each. Throughout the ten years occupied in the task of collecting materials and casting this Daibutsu, the Emperor solemnly worshipped Rushana Buddha three times daily, and on its completion he took the tonsure.
Yes, the Taj is a divine work of man; but it has not the serene lofty isolation of this sublime mountain, rising from the plain alone and immense with almost perfect symmetry. I was not to see Fujiyama again for a week or so, but in the meanwhile I saw the Daibutsu, the giant figure of Buddha, at Kamakura, in all its bland placidity. These were the only big things I found in Japan.
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