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Updated: May 20, 2025


And it came to pass that one morning the chief told them that they were to have a grand battle, since they expected in three days to be attacked by a Chenoo.

And they are one in the Chenoo, who, like Loki, illustrates or symbolizes the passage from good to evil, which a German writer declares is quicker than thought, or that very same Ilugi which the Norse myth puts forwards as swiftest of all runners. Loki, not as yet lost, gets the stone heart of a giantess, and becomes an utter devil at once.

On the 27th July, Captain Tuckey was introduced to the Chenoo or sovereign, who sat in full divan, with his councillors around him, beneath a spreading tree, from the branches of which were suspended two of his enemies' skulls. He was dressed in a most gaudy fashion.

From that time he was kind and good. They feared him no more. She said, "No." When her husband returned the Chenoo saw that there was black mud on his snow-shoes. He asked him if there was a spring of water near. The friend said there was one half a day's journey distant. "We must go there to-morrow," said the Chenoo. And they went together, very early. The Indian was fleet in such running.

The Chenoo was amazed beyond measure at such a greeting where he expected yells and prayers, and in mute wonder let himself be led into the wigwam. She was a wise and good woman. She took him in; she said she was sorry to see him so woe-begone; she pitied his sad state; she brought a suit of her husband's clothes; she told him to dress himself and be cleaned. He did as she bade.

Rand by a Micmac Indian, Louis Brooks, who heard it from his grandfather, Samuel Paul, a chief, who died in 1843, at the age of eighty. He was a living chronicle of ancient traditions. The Chenoo can be directly identified with the so-called Inlander of the Greenland Eskimo. He is a cannibal, a giant, a mysterious being who haunts the horrible and almost unexplored interior.

When the fire burned up, and it became warm, the Chenoo asked that a screen should be placed before him. He was from the ice; he could not endure heat. For three days he stayed in the wigwam; for three days he was sullen and grim; he hardly ate. Then he seemed to change. He spoke to the woman; he asked her if she had any tallow. She told him they had much.

He sat by the side of the wigwam, and looked surly and sad, but kept quiet. It was all a new thing to him. She arose and went out. She kept gathering sticks. The Chenoo rose and followed her. She was in great fear. "Now," she thought, "my death is near; now he will kill and devour me." The Chenoo came to her. He said, "Give me the axe!" She gave it, and he began to cut down the trees.

"Brace your feet," he said, "so as to be steady." They got home before sunset. It was like bear's meat. The Chenoo fed on it. So they all lived as friends. Then the spring was at hand. One day the Chenoo told them that something terrible would soon come to pass. An enemy, a Chenoo, a woman was coming like wind, yes on the wind from the north to kill him. There could be no escape from the battle.

Around Glooskap, who is by far the grandest and most Aryan-like character ever evolved from a savage mind, and who is more congenial to a reader of Shakespeare and Rabelais than any deity ever imagined out of Europe, there are found strange giants: some literal Jotuns of stone and ice, sorcerers who become giants like Glooskap, at will; the terrible Chenoo, a human being with an icy-stone heart, who has sunk to a cannibal and ghoul; all the weird monsters and horrors of the Eskimo mythology, witches and demons, inherited from the terribly black sorcery which preceded Shamanism, and compared to which the latter was like an advanced religion, and all the minor mythology of dwarfs and fairies.

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