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Updated: May 5, 2025


This description suits the Calmuks. Once a great city in the N.W. of Irac-agemi, not far from Cashbin. See Chardin's Travels in Persia, to be found afterwards in this collection. This island has much puzzled commentators, some of whom have wandered to Ormus in quest of its situation.

Certainly the still-life of Cézanne's is the only modern still-life that may be compared to Chardin's; not Manet, Vollon, Chase has excelled this humble painter of Aix. He called the Écoles des Beaux-Arts the "Bozards," and reviled as farceurs the German secessionists who imitated him.

On this same wall are a varied series of Chardin's studies of still life; a poor replica, 93, of his Grace before Meat; 104, The Ape as Painter, and other similar homely subjects. Here also are two historical revolutionary portraits by Greuze: 378, The Girondin, Gensonné, and 379, the Poet-Deputy, Fabre d'Eglantine.

This artist, who stands apart and produces very little, has signed some interiors of melancholic distinction and of a colouring which revels in low tones. He has the precision and skill of a master. There is in him, one might say, a reflection of Chardin's soul. Unfortunately his works are confined to a few collections and have not become known to the public.

That kind of thing was intimidating to her who had never possessed wit save in the vivacity of her feet, and reduced her simply to the rank of a lady-companion; and, seeing this amiable old dame sitting, silent and smiling, her knitting in her lap, like one of Chardin's bourgeoises, or hastening by the side of her cook up the long Rue de Chaillot, where the nearest market happened to be, one would never have guessed that that simple old body had ruled kings, princes, the whole class of amorous nobles and financiers, at the caprice of her step and pirouettings.

What had happened could only be a dream, a frightful dream; and when he turned the key and opened the door, he would see her bending slightly over the table in the gracious attitude of the woman in Chardin's <i Benedicite>, which always seemed to him so exquisite. Hurriedly he took the key out of his pocket, opened, and walked in. The apartment had no look of desertion.

In Chardin's case by him the relativity of mundane things was accepted with philosophic phlegm an onion was more important than an angel, a copper stew-pan as thrilling as an epic. And then the humanity of his youth holding a fiddle and bow, the exquisite textures of skin and hair, and the glance of the eyes. You believe the story told of his advice to his confrère: "Paint with sentiment."

Can we point to any such fresh, beautiful red as the scarf that the "Princesse des Pays de la Porcelaine" wears about that grey which would have broken Chardin's heart with envy? Can we point to any blue in Mr. Watts' as fresh and as beautiful as the blue carpet under the Princess's feet? With what Mr. Watts paints it is impossible to say.

If you make them wear a night-cap to keep their hair clean and tidy, let it be thin and transparent like the nets with which the Basques cover their hair. I am aware that most mothers will be more impressed by Chardin's observations than my arguments, and will think that all climates are the climate of Persia, but I did not choose a European pupil to turn him into an Asiatic.

Fancy Vollon flowers in the midst of these old Dutchmen. The Frenchman had an extraordinary feeling for still-life, though more in the decorative Venetian manner than in Chardin's serene palette, or the literalism of Kalf. Whistler's Effie Deans, presented by the Dowager Baroness R. van Lynden in 1900, is not one of that master's most successful efforts.

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