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Updated: June 24, 2025
He set himself to examine all the exhibits by Rops, and when he had finished he turned to G.J. "Listen here, G.J. We're going to make a night of it. I've decided on that." "Sorry, dear heart," said G.J. "I'm engaged with Molder to-night. We shall have some private chamber-music at my rooms just for ourselves. You ought to come. Much better for your health." "What time will the din be over?"
Campana and Gordigiani were prolific composers of romanzas and canzonettas of a popular type. Their works are drawing-room music, very innocuous, very sentimental, very insignificant, and very far from the conception of chamber-music generally prevalent now. How they could have been thought to have influenced so virile a composer as Verdi, it is difficult to see.
On parallel lines with the big symphony concerts and the new conservatoires, societies were formed to spread the knowledge of, and form a taste for, chamber-music. This music, so common in Germany, was almost unknown in Paris before 1870. There was nothing but the Maurin Quartette, which gave five or six concerts every winter in the Salle Pleyel, and played Beethoven's last quartettes there.
The stateliness which characterizes the large symphonic forms is absent in chamber-music, but it has qualities of its own which we value as much.
Among its early friends were MM. Alphonse Duvernoy, Diémer, Pugno, Delsart, Breitner, Delaborde, Ch. de Bériot, Fissot, Marsick, Loëb, Rémy, and Holmann. With such patronage, La Trompette soon acquired fame in the musical world, and "it represented in classical chamber-music the semi-official part played by the Société des Concerts du Conservatoire in classical orchestral music.
Next week there's a concert of chamber-music in the Town Hall I suppose I might go to that, just to "kill time" as they say. Think of a journalist wanting to kill time! Or to kill anything but another fellow's "stuff," and sometimes an editor! Then there's a boxing competition at the St.
He assures us, indeed, that the "new style" is in truth a thing of old days, of his own old days here in Valenciennes, when, working long hours as a mason's boy, he in fancy reclothed the walls of this or that house he was employed in, with this fairy arrangement itself like a piece of "chamber-music," methinks, part answering to part; while no too trenchant note is allowed to break through the delicate harmony of white and pale red and little golden touches.
The Sunday morning concerts, instituted by Czerny in the winter of 1816, call for more than passing notice. A select company of professional musicians and amateurs had banded themselves into an organization for the purpose of performing and studying the best class of chamber-music with special reference to Beethoven's compositions.
Marsh agreed with her, with a hearty relish, "Yes, musicians are an unspeakable bunch! "I suppose," Marise went on, "that I ought not to let that part of it spoil concert music for me. And it doesn't, of course. I've had some wonderful times . . . people who play in orchestra and make chamber-music are the real thing.
So I have included it in to-day's programme." These performances of sonatas, trios, and quartettes, were attentively listened to by an audience of five or six hundred persons, the greater part of them cultured people, students from the poly-technics and universities, who formed the kernel of a very discerning and enthusiastic public for chamber-music.
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