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Updated: June 14, 2025
Having therefore gone to Pisa, he found that the marble was already in his room, prepared according to the orders of Luca; but, on proceeding to begin to carve from it an upright figure, he perceived that the marble had in it a crack that diminished it by a braccio.
The only reason why the Florentines were not enslaved by Sir John Hawkwood was that, though an able general, he achieved no great successes in the field. In the same way they escaped by luck from Sforza, who turned his attention to Milan, and from Braccio, who formed designs against the Church and Naples. If Paolo Vitelli had been victorious against Pisa , he would have held them at discretion.
If at the close of the sixteenth century chromatic compositions, which were then making much progress, could be performed on a bowed lyre, there is no reason to think that in Poliziano's time there would have been much labor in arranging frottola melodies for voice and lyra di braccio.
The most noticed among the latter were Carmignola, Francesco Sforza, Niccolo Piccinino the pupil of Braccio, Agnolo della Pergola, Lorenzo di Micheletto Attenduli, il Tartaglia, Giacopaccio, Cecolini da Perugia, Niccolo da Tolentino, Guido Torello, Antonia dal Ponte ad Era, and many others.
At the foot of the inner edge it had certain wooden brackets, large enough for one person to stand on and no more, and at the height of one braccio there was also an iron fastening, likewise on the inner edge; on each of these brackets there was placed a boy about twelve years old, who was girt round with the iron fastening one braccio and a half high, in such wise that he could not have fallen down even if he had wanted to.
Such as it is, however, this sacristy at St. Peter's was handsome enough to excite the emulation of the canons of the cathedral, for the contract made with Maestro Mariotto who was nicknamed Torzuolo specifies that the work is to be entirely of walnut wood, after the fashion of the sacristy at St. Peter's, and is to be executed "in the manner of a good, loyal and expert master." It is to be all done by his own hand, or at least in his presence and under his superintendence. The work is to be completed in one year, and the canons are to pay for it at the rate of ten florins every square braccio, Florentine measure. This was in 1494; and it will here again be observed that the price, as compared with that to be paid to Maestro Stefano by the monks of St. Peter's for their choir, even fully allowing for the greater richness of the latter, indicates the very rapid alteration in the value of money which took place at the beginning of the sixteenth century. But the canons, it would seem, were very careful hands at a bargain, for we find that it is provided in the contract that when the work shall have been completed it shall be examined by two experts, and that if it shall be found to be worth less than the price named, Maestro Torzuolo shall receive so much less; but that if it shall be found by the said experts and appraisers to be worth more, the maestro shall stand to his bargain and not receive more than the price named an agreement which is frequently found in the contracts made about that period. When the work was completed it was accordingly examined and appraised by Maestro Mattia of Reggio and Maestro Pietro of Florence. The latter was brought from Citt
What had she in common with Maria Addolorata, except that she was born a princess and a Braccio? Of what use was it to be a princess by birth, like a dozen or more of the sisters, or even a noble, like all the others? Of what use or advantage could anything be, where liberty was not?
There were, indeed, one or two houses where he was received, as he was at Casa Braccio, in a manner which, for the very reason that it was familiar, proved his social inferiority where he addressed the head of the house as 'Excellency' and was called 'Reanda' by everybody, elders and juniors alike, where he was appreciated as an artist, respected as a man, and welcomed occasionally as a guest when no other outsider was present, but where he was not looked upon as a personage to be invited even with the great throng on state occasions.
Pantalon dei Bisognosi, and Brighella. The reader is at first puzzled by their constant recurrence, but never weary of Goldoni's witty management of them. They are the chief persons of the obsolete commedia a braccio, and have their nationality and peculiarities marked by immemorial attribution.
Eight ribs of marble must be made at the angles in the outer surface of the cupola, of such thickness as may be required, rising one braccio above the cupola, with a cornice above by way of roof, two braccia wide, to serve as gable and eaves to the whole; and these ribs must rise pyramidically from their base up to the summit.
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