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Updated: May 7, 2025
Above his tomb was placed an inscription in Latin, written by Pietro Bembo, which has for its last sentence these words: "This is that Raphael by whom Nature feared to be conquered while he lived, and to die when he died." Raphael had also requested Lorenzo Lorenzetti to make a statue of the Virgin to be placed above his resting-place.
Her entire life in Rome returned and overwhelmed her. Her father had been the cause, first, of all her unhappiness, and subsequently of all her good fortune. Filial affection and religious fears must have assailed her at one and the same time. Bembo describes her suffering.
As for Bembo, we were told that, after putting him in double irons, the mate had locked him up in the captain's state-room, taking the additional precaution of keeping the cabin scuttle secured. From this time forward we never saw the Mowree again, a circumstance which will explain itself as the narrative proceeds.
Together with these there appeared in the sixteenth century the classical style of Italian correspondence, at the head of which stands Bembo again. Its form is wholly modern, and deliberately kept free from Latin influence, and yet its spirit is thoroughly penetrated and possessed by the ideas of antiquity.
It was enlarged later by Eleonora Gonzaga, the wife of Francesco Maria della Rovere, the heir of Urbino, and Giovanni Sforza's successor in the dominion of Pesaro. Famous painters decorated it with allegoric and historical pictures; Bembo and Bernardo Tasso sang of it in melodious numbers, and there, in the presence of the Della Rovere court, Torquato read his pastoral Aminta.
It was the first time we had seen him in more than two weeks, and he was greatly altered. As if anxious to elude every eye, a broad-brimmed Payata hat was pulled down over his brow; so that his face was only visible when the brim flapped aside. By a sling, rigged from the main-yard, the cook and Bembo now assisted in lowering him into the boat.
I give it for what it is worth; premising, however, that from what I know of Bembo, and the foolhardy, dare-devil feats sometimes performed in the sperm-whale fishery, I believe in its substantial truth. As may be believed, Bembo was a wild one after a fish; indeed, all New Zealanders engaged in this business are; it seems to harmonize sweetly with their blood-thirsty propensities.
They express a genuine moment of the Renaissance with vigour, and deserve to be ranked with the Latin poetry of Poliziano, Bembo, and Pontano. The worst that can be said of them is that their inspiration was factitious, and that their motives had been handled better in the age of Greek sincerity.
Nor was the later story forgotten of Queen Caterina Cornaro, whose palace-tower overlooks Asolo, and whose secretary, Cardinal Bembo, wrote gli Asolani, from which came the suggestion for the title of Browning's forthcoming volume.
In his combat with humanistic purism he foreshadows a Christian puritanism. As always his mockery procured him a new flood of invectives. Bembo and Sadolet, the masters of pure Latin, could afford to smile at it, but the impetuous Julius Caesar Scaliger violently inveighed against him, especially to avenge Longolius's memory.
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