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Updated: June 8, 2025
She turned another page. My family, of course, expected me to marry in their pale; that is, my mother rather prefers to select a wife for me than that I should do it. But, as you shall never come to Belem, her plans or wishes need make no difference to us. If Cassandra would be to us what she might, how things would clear!
She is a terrible aristocrat," he continued, in a low voice, "fixed in the ideas imbedded in the Belem institutions, which only move backward. We laugh, though, at everybody's claims but our own. You despised me for mentioning the Hiticutts' income; it was the atmosphere." "It amuses me to be here."
"Do you consider the old school friendship between your son and Cassandra a sufficient reason for leaving her with you? To say nothing of the faint relationship which, we suppose, exists." "Of course, very happy; Adelaide expects her," she said vaguely. I saw at once that she had never heard a word of our being relations. Ben had managed nicely in the affair of my invitation to Belem.
It was in fact the work of Mestre Nicolas, the Nicolas Chantranez who worked first at Belem and then on the Portal da Magestade at Santa Cruz, and who carved an altar-piece in the Pena chapel at Cintra. Though much larger in general design, it is not altogether unlike the altar-piece in the Sé Velha. It is divided into two stories.
On the river, vessels of all sorts crammed with visitors gathered round the enormous mass of timber, and the waters of the Amazon literally disappeared even up to the left bank beneath the vast flotilla. When the chapel bell rang out its opening note it seemed like a signal of joy to ear and eye. In an instant the churches of Belem replied to the bell of the jangada.
It is the first sorrow which our daughter has caused us, and my heart quails when I think of the separation which is so near! But I should be content if I could accompany her to Belem! Does it not seem right to you, even in other respects that we should know her husband's mother, who is to replace me, and to whom we are about to entrust her?
Of the windows all are wide and pointed, without tracery and deeply splayed. The one in the central bay next the porch has niches and canopies at the side for statues and jambs not unlike those designed some years after at Belem.
This is one of the works which João de Castilho claims as his, and on one of the jambs there is carved a strap, held by two lion's paws on which are some letters supposed to be his signature, and some figures which have been read as 1515, probably wrongly, for there seems to have been no renaissance work done in Portugal except by Sansovino till the coming of Master Nicolas to Belem in 1517 or later.
Arrived at Belem, it came to a halt, turned back on its road, remounted the Amazon to the Rio Negro, and returned to the forest from which it had mysteriously started. One day somebody tried to drag it ashore, but the river rose in anger, and the attempt had to be given up. And on another occasion the captain of a ship harpooned it and tried to tow it along.
Advancing we remarked the glorious Belem monastery, defiled by its ignoble modern ruin to the west; the new hippodrome crowning the grassy slope; the Bed House of Belem, now being brightened up for Royal residence during the Exhibition of 1882; the Memoria and the Ajuda Palace, more unfinished, if possible, than ever.
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