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And Thoth said, "This water shall be called the 'Sea of journeying, from this day onward." And they sailed about over the water during the night, and they did not see any of those enemies at all. In the right hand he holds the sceptre and in the left the ankh.

+Maat+ was the goddess of truth. She is always of human form, and shown as seated holding the ankh, emblem of life, in her hands. She was never worshipped, and had no temples or shrines, but was represented as being offered by the kings to the gods. She also occurs in the names of several kings, and appears in the judgment scene of the weighing of the heart.

And the sixth Redeemer was a tall shadow-colored person with two long gray plumes affixed to his shaven head: he carried a sceptre and a thing which, Miramon said, was called an ankh, and the beast he rode on was surprising to observe, for it had the body of a beetle, with human arms, and the head of a ram, and the four feet of a lion.

Brugsch points out that the god, Tum or Tom, who was the special object of worship in the city of Pi-Tom, with which the Israelites were only too familiar, was called Ankh and the "great god," and had no image. Ankh means "He who lives," "the living one," a name the resemblance of which to the "I am that I am" of Exodus is unmistakable, whatever may be the value of the fact.

In proof of this she showed us a fine little bronze Osiris holding a whip in one hand and the ankh in the other. She had bought both in an antique-shop just off Washington Street. I thought this rather a far cry from Thebes, myself, but The Author insisted that if a Theban vestal of the time of Sesostris had to reincarnate, she would naturally and inevitably come to life a Boston one.

The ankh, the lotus blossom in the hand, the winged disk, are purely Egyptian forms; the Isis Athor with Horus in her lap speaks for itself; and the worshipper in front of Isis has an unmistakably Egyptian head dress.

No. 1 is a scarab of cornaline found by M. de Voguee in Phoenicia Proper. Two male figures in Assyrian costume face each other, their advanced feet crossing. Both hold in one hand the ankh or symbol of life. One has in the left hand what is thought to be a lotus blossom. The other has the right hand raised in the usual attitude of adoration.

The shoulders and bust of each are covered with a kind of network in relief, every mesh standing out in blue upon a yellow ground. The hands emerge from this mantle, are crossed upon the breast, and grasp the Ankh, or Tau-cross, symbolic of eternal life. The heads are portraits. The faces are round, the eyes large, the expression mild and characterless.

In ancient Egypt, where it is called the Ankh, and is drawn as a capital T with a circle above. There it symbolizes life in the largest sense. The circle above stands for Spirit; the Tau or cross below, for matter: thus it pictures the two in their true relation the one to the other.

A white linen vest and a long petticoat cover his chest and legs. His feet are shod with elegant sandals. His arms lie straight along his sides, or are folded upon his breast, the hands grasping various emblems, as the Ankh, the girdle-buckle, the Tat; or, as in the case of the wife of Sennetmû at Gizeh, a garland of ivy.