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In order not to weary young voices too much, it is best to begin in the middle range, going upward first, by semitones, and then, starting again with the same tone, going downward. All other exercises begin in the lower range and go upward. The pupil must first be able to make a single tone good, and judge it correctly, before he should be allowed to proceed to a second.

Thus, parhypate, which in the enharmonic is at the interval of half a semitone from hypate, has a semitone interval when transferred to the chromatic. What is called lichanos in the enharmonic is at the interval of a semitone from hypate; but when shifted to the chromatic, it goes two semitones away; and in the diatonic it is at an interval of three semitones from hypate.

The words begin to lose coherence and meaning, and are often purely interjectional. One passage may be noted for its interesting modulations, the alternating duet with the words "Barg im Busen uns sich die Sonne." It is in phrases of three bars in rising semitones, A flat A natural A natural B flat, ending in the beautiful strain No. 13 as they fall asleep in one another's arms.

These microtonal intervals permit fine shades of musical expression unattainable by the Western chromatic scale of 12 semitones.

The lines of the strophes are short, and the construction is simple, and it seems certain that the words owed their effect chiefly to the voice of the singer, who then, as now, employed many semitones and thirds of tones, and to the skill with which he played the accompaniment on his harp.

That was all, but the Countess' voice and manner expressed surprise and well-bred contempt in semitones. Any heart, still young and sensitive, might well have applauded the philanthropy of savage tribes who kill off their old people when they grow too feeble to cling to a strongly shaken bough. Mme. d'Aiglemont rose smiling, and went away to weep alone.

Kindred to Semitic and Hindoo music, though venturing on bolder intervals, is Chinese, Persian and Arabian. The almost untranslatable airs of India assume in China something like an artless melody. Their smallest intervals are semitones, which have been in use, like everything else in China, from time immemorial.

Thus the number of possible modes is vastly greater than in our own scale, which has only semitones. There are six chief modes, represented by six genii, while each one is married to five of the thirty nymphs who typify the lesser modes. Each one of the genii has eight sons, and these are wedded to a nymph apiece, making forty-eight in all.

It might be performed on a small flute, by commencing with D octave and running down by semitones to a fifth below, and frequently repeating the notes, for the space of a minute, with occasional pauses and slight variations, sometimes ascending as well as descending the scale. The bird does not slur the passages, but utters them with a sort of trembling staccato.

So long as it winked at them, so long their lives were safe. With its extermination they knew must come their own. Hitherto, save for the murmur of the two voices, a profound hush had weighed ominously in the heavy air. Now suddenly a cry went up, pitched on a high note and descending by semitones, like a dying wind, into a moan.