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Updated: August 16, 2024


The true genius of STERNE was of a descriptive and pathetic cast, and his humour and ribaldry were a perpetual violation of his natural bent. ALFIERI'S great tragic powers could not strike out into comedy or wit. SCARRON declared he intended to write a tragedy.

Frank and indifferent to the world's opinion as was Mme. d'Albany, her originally cut and dry intellectual temper hardened by many years' misery, one can conceive that she should shrink from accepting the hospitality of Alfieri's mother.

So, to the scruples of Alfieri, Francesco Gori had answered: "Return to Florence." Alfieri's fears had been groundless.

And this Alfieri had constantly to bear. Perhaps the very knowledge of the actual suffering, of the unjust recriminations, the cruel violence, the absolute fear of death, among which Louise d'Albany spent her life, was not so difficult for her lover to bear as to see her, the beautiful and high-minded lady of his heart, seated in her opera box near the sofa where the red and tumid-faced Pretender lay snoring, waking up, as Mann describes him, only to summon his lacqueys to assist him in a fit of drunken sickness, or to be carried, like a dead swine, with hanging bloated head and powerless arms, down-stairs to his carriage; not so difficult to bear as to hear her, his Beatrice, his Laura, made the continual victim of her bullying husband's childish bad-temper, of his foul-mouthed abuse, to hear it and have to sit by in silence, dependent upon the good graces of a besotted ruffian against whom Alfieri's hands must have continually itched.

But he brought with him a relic of English extravagance, sotting out on his land travels in a huge coach, copied from that of Napoleon taken at Genappe, and being accompanied by Fletcher, Rushton, Berger, a Swiss, and Polidori, a physician of Italian descent, son of Alfieri's secretary, a man of some talent but indiscreet.

On that monument of Mme. d'Albany, in the chapel where moulder the frescoes of Masolino, there is not a word of that sentence of Alfieri's about the dead woman having been to him dearer and more respected than any other human thing.

Departure was fixed for the 20th August, but Alfieri's black presentiments hastened it to the 18th.

By the time we got into Alessandria, with its mighty maze of fortifications, I was so weak from laughing that I giggled hysterically at sight of the Prince standing in the doorway of a hotel which we were sailing past. I pointed at him, as Maida had pointed at Vittorio Alfieri's tablet, and Mamma gave a welcome meant to drown my giggle. Mr.

Only one of them has any indication of place or date, "Genzano, Mardi"; but this, and the references to Alfieri's approaching journey northward and to Gori's intention of escorting him as far as Genoa, is sufficient to show that they must have been written in the summer of 1783, when Cardinal York, terrified at the liberty which he had allowed to his sister-in-law, had conveyed her safely to some villa in the Alban Hills.

One of the horses of the villa Strozzi was saddled for the Countess of Albany; and this strange pair of platonic lovers rode forth together among the ruins, the wife of Charles Edward listening, with something more than mere abstract interest, to Alfieri's fiercest contemptuous tirades against the tyranny of soldiers and priests, the tyranny of sloth and lust which had turned these spots into a wilderness, and which had left the world, as Alfieri always felt, and a man not unlike Alfieri in savage and destructive austerity, St.

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