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Updated: June 26, 2025


The beautiful Tzigana was awaiting him. She stood at her window, like a spectre in her white dress, her hands clutching the sill, and her eyes striving to pierce the darkness which enveloped everything, and opened beneath her like a black gulf. With heart oppressed with fear, she started at the least sound.

He would give, as a wedding-gift to the Tzigana, the most beautiful diamonds in the world, those famous Zilah diamonds, which Prince Joseph had once placed disdainfully upon his hussar's uniform when he charged the Prussian cuirassiers of Ziethen, sure of escaping the sabre cuts, and not losing a single one of the stones during the combat.

He had listened to Varhely, an honest man; drawing a parallel between a vanquished soldier and this fallen girl Varhely, the rough, implacable Varhely, who had also been the dupe of the Tzigana, and one evening at Sainte-Adresse had even counselled the deceived husband to pardon her. In a state bordering on frenzy, Zilah returned to his hotel, thinking: "He will be with her this evening!"

She left Paris, and in the solitude of Maisons-Lafitte lived the life of a recluse, while Michel tried in vain to forget the bitterness of his loss. The Tzigana hoped that she was going to die, and bear away with her forever the secret of her betrayal. But no; science had been mistaken; the poor girl was destined to live.

In all this there was a different manifestation of her double nature: in her love for Andras and her longing to become his wife, the blood of the Tzigana, her mother, spoke; Prince Tchereteff, the Russian, on the other hand, revived in her silent, cold bravado. She lay down to rest, still feverish from the struggle, and worn out, slept till morning, to awaken calm, languid, but almost happy.

He announced his engagement to the society, at once Parisian and foreign, of which he formed a part; and this marriage of the Magyar with the Tzigana was an event in aristocratic circles. There was an aroma of chivalrous romance about this action of Prince Andras, who was rich enough and independent enough to have married, if he had wished, a shepherdess, like the kings of fairy tales.

Not long after their arrival in Paris, a serious heart trouble attacked Marsa's father. He summoned to his deathbed the Tzigana and her daughter; and, in a sort of supreme confession, he openly asked his child, before the mother, to forgive him for her birth. "Marsa," he said, slowly, "your birth, which should make the joy of my existence, is the remorse of my whole life.

Rising, he looked at the title, printed in Hungarian; then, leaning over the Tzigana till his breath fanned her cheek, he murmured: "Janos Nemeth was right. The world holds but one fair maiden." She turned very pale, rose from the piano, and giving him her hand, said: "It is almost a madrigal, my dear Prince, is it not? I am going to be frank with you. You love me, I know; and I also love you.

When they asked what name should be attached to so princely a gift, Marsa replied: "That which was my mother's and which is mine, The Tzigana." More than ever now did she cling to that cognomen of which she was so proud. "And," she said to Zilah, after she had finished the recital of her story, "it is because I am thus named that I have the right to speak to you of yourself."

"She tried to kill herself then; but afterward she seemed more reasonable, as you saw just now. When she asked you who sent you, I thought Ah! at last she is interested in something. But now it is worse than ever. Oh! this is lively for me, devilish lively!" Fargeas took between his thumb and finger the delicate skin of the Tzigana, and pinched her on the neck, below the ear. Marsa did not stir.

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