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But, suddenly, the Tzigana started, removed her gaze from the light streaming through the blue and crimson glass, and hurried away, crying aloud in the darkness: "No! repose is not there. And, after all, where is repose? Only in ourselves! It can be found nowhere, if it is not in the heart!"
When they asked what name should be attached to so princely a gift, Marsa replied: "That which was my mother's and which is mine, The Tzigana." More than ever now did she cling to that cognomen of which she was so proud. "And," she said to Zilah, after she had finished the recital of her story, "it is because I am thus named that I have the right to speak to you of yourself."
It was that past, that terrible past, which Michel Menko had dared to come and speak of to the Tzigana. At first, she had grown crimson with anger, as if at an insult; now, by a sudden opposite sentiment, as she listened to him recalling those days, she felt an impression of deadly pain as if an old wound had been reopened. Was it true that all this had ever existed? Was it possible, even?
The General also felt that he was incapable of understanding anything, ignorant as he was of the reasons of the rupture, of Zilah's anger against the Tzigana, and of the young girl's terrible stupor; and, as he drank his cherry cordial or his brandy, wondered if he too were insane, as he repeated, like his niece: "I do not know! I do not know!"
"Its baptismal dress?" repeated the mother. "Oh, Madame!" ejaculated the father, twisting his cap between his fingers. "Or a cloak, just as you please," added Marsa. The poor people on the barge made no reply, but looked at one another in bewilderment. "Is it a little girl?" asked the Tzigana. "No, Madame, no," responded the mother. "A boy." "Come here, jean," said Marsa to the oldest child.
And he was decidedly pleased with this Marsa Laszlo, against whom he had instinctively felt some prejudice when Zilah spoke to him for the first time of marrying her. To make of a Tzigana for Marsa was half Tzigana a Princess Zilah, seemed to Count Varhely a slightly bold resolution.
Here, as formerly at Moscow, Tisza and the Prince lived together, and yet apart the Tzigana, implacable in her resentment, bitterly refusing all pardon to the Russian, and always keeping alive in Marsa a hatred of all that was Muscovite; the Prince, disconsolate, gloomy, discouraged between the woman whom he adored and whose heart he could not win, and the girl, so wonderfully beautiful, the living portrait of her mother, and who treated him with the cold respect one shows to a stranger.
As Tisza never went out, Marsa rarely quitted the castle; and, when she went to Moscow, she hastened to return to her mother. The very gayeties of that noisy city weighed upon her heart; for she never forgot the war-tales of the Tzigana, and, perhaps, among the passers-by was the wretch who had shot down her grandfather, old Mihal.
There was a certain womanly coquetry, mingled with a profound love of the soil where her martyred mother reposed, in the desire which Marsa Laszlo had to be called the Tzigana, instead of by her own name. The Tzigana! This name, as clear cut, resonant and expressive as the czimbaloms of the Hungarian musicians, lent her an additional, original charm.
He quitted Havre, and returned to Paris; but the very evening of his return, in the bustle and movement of the Champs-Elysees, the long avenue dotted with lights, the flaming gas-jets of the cafe concerts, the bursts of music, he found again, as if the Tzigana were continually pursuing him, the same phantom; despite the noise of people and carriages upon the asphalt, the echoes of the "Song of Plevna," played quite near him by some Hungarian orchestra, reached him as upon the seashore at Havre; and he hastened back to his hotel, to shut himself up, to hear nothing, see nothing, and escape from the fantastic, haunting pursuit of this inevitable vision.
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