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Updated: May 8, 2025
Verily, there is a mightier mass of typography than of readers; and the reading world, from very brevity of life, must rush, at a Bedouin pace, over the illimitable plains of newspaper publication, while the pyramids of dusty folio are left to stand in solitary proud neglect.
It renounces metre or rather endeavors to renounce it, for it does not always succeed. It professes to do away with rhyme and stanza, although it may play cunningly upon the sounds of like and unlike words, and it may arrange phrases into poetic paragraphs, which, aided by the art of typography, secure a kind of stanzaic effect.
His conscience, however, does give painful twinges, and he will leave the Pines Horace, which he has been handling delicately for three weeks, in hopeless admiration of its marvellous typography, and be outside the door before a happy thought strikes him, and he returns to buy it, after thirty minutes' bargaining, with perfect confidence and a sense of personal generosity.
About the year 1430 the invention of typography is ascribed to Laurence Koster, of Haarlem; and whether or not he is entitled to this honorable distinction, certain it is that the Dutch were among the first to engraft this useful art among them; and fate ordained that a century later it should reward its country with liberty.
You will not find them in the town council or at the cafe. No newspapers commend their labours, no millionaires or learned societies come to their assistance, and though typography is cheap in this country, they often stint themselves of the necessities of life in order to produce these treatises of calm research. There is a deep gulf, here, between the mundane and the intellectual life.
There's no question of the divine afflatus; that belongs to another sphere of life. We talk of literature as a trade, not of Homer, Dante, and Shakespeare. If I could only get that into poor Reardon's head. He thinks me a gross beast, often enough. What the devil I mean what on earth is there in typography to make everything it deals with sacred?
The stamps of Scinde, issued in 1850, were embossed and for the red one large wafers, at that date in common use for sealing letters, were used. The brittle nature of this material is probably responsible for the scarcity of this stamp, especially of copies in fine condition. Embossing is usually combined with typography.
Having thus whetted the appetite of his reader, and economized in type-setting by nearly a column of such broad and soul-stirring typography, the editor proceeds: "Metropolisville is again the red-hot crater of a boiling and seething excitement.
He frequently emphasizes his desire to have his compositions printed in an attractive style, and in 1839 writes to Härtel that he cannot describe his pleasure on receiving the "Scenes of Childhood." "It is the most charming specimen of musical typography I have ever seen."
Spaced prose, we may call it." Now "spaced prose" is a useful expression, inasmuch as it calls attention to the careful emphasis and balance of phrases which up so much of the rhetorical structure of free verse, and it also serves to remind us of the part which typography plays in "spacing" these phrases, and stressing for the eye their curves and "returns."
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