United States or San Marino ? Vote for the TOP Country of the Week !


La Rochefoucauld blames himself, in his self-portrait, for arguing too fiercely, and for being testy with an opponent, but these faults were not perceived by other people. Doubtless he was aware of an inward impatience, and succeeded in concealing it by means of that extreme politeness on which he prided himself.

So, likewise, is the more recent verse of Edgar Lee Masters, giving us the brutal self-portrait of Minerva Jones, the poetess of Spoon River, for she is only a would-be poet, and the cry, "I yearned so for beauty!" of her spirit, baffled by its embodiment, is almost insupportable. Walt Whitman alludes to his face as "the heart's geography map," and assures us,

"A learned man in a cynical and torn dress holding an open book in his hand." "St. Bartholomew and the Executioner with the knife to fulfil the martyr." "Portrait of a young man. A long while this picture was thought to be Bindi Altoviti's portrait; now somebody will again have it to be the self-portrait of Raphael." "Susan bathing, surprised by the two old man.

"A learned man in a cynical and torn dress holding an open book in his hand." "St. Bartholomew and the Executioner with the knife to fulfil the martyr." "Portrait of a young man. A long while this picture was thought to be Bindi Altoviti's portrait; now somebody will again have it to be the self-portrait of Raphael." "Susan bathing, surprised by the two old man.

Let us pass quickly the Schalckens and Gerard Dous. Dou's self-portrait is familiar. He leans out of a window and smokes a clay pipe. The candle-light pictures always attract an audience. Wherever you go you see his handiwork, not in the least inspired, but honest, skilful, and genial. Look at the head of the tax-collector Johannes Wittenbogaert, covered with a black cap.

Few Europeans, perhaps, would have cared to perpetrate a self-portrait like one painted by the potter Kinsei, which was sold me one day as an amusing tour de force by a facetious picture-dealer. It is a composite picture of a new kind, a Japanese variety of type face. The great potter, who was also apparently no mean painter, has combined three aspects of himself in a single representation.

Margaret, a portrait of the Duke of Este, Salom, Ecce Homo, La Dolorosa, the once admired Allocution; Flight Into Egypt, St. Catalina, a self-portrait, St. Jerome, Diana and Actæon, The Sermon on the Mount the list is much longer. There are many Goyas; the museum is the home of this remarkable but uneven painter.

We know that during his early years in Paris Abélard was a bold and daring champion in the lists of dialectic; brilliant, persuasive, masculine to a degree; yet this self-portrait is of a man timid, suspicious, frightened of realities, shadows, possibilities. He is in abject terror of councils, hidden enemies, even of his life.

That is in the character of the man sound, honest, sincere even where he is mistaken or narrow just as we see him in his self-portrait of the London Gallery, with his faithful "Trump" sitting in front, as who should say, "This is my master, Hogarth and let me just see the dog who will dare bark at him."

Another work ascribed to his early period, about 1634, is the "Man with a Helmet," also commonly known as a self-portrait, fluent in execution and vivacious and lifelike in expression, yet not without that hint of conscious pose common with the artist in his endeavors to force the note of character.