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Even this order I obeyed most punctually; so that the good Seekatz, who was then at work in the room, was very much annoyed, for he liked to have me about him: and, out of a little spite, I carried my obedience so far, that I left Seekatz's coffee, which I generally brought him, upon the threshold.

He, informed by my overseer that I had become gradually reconciled to my condition, and, in particular, had applied myself passionately to drawing from nature, was very well satisfied, partly because he himself set a high value on drawing and painting, partly because gossip Seekatz had once said to him, that it was a pity I was not destined for a painter.

Mengs, the Raphael of Germany, Oeser, Tischbein, the landscape-painters Seekatz, Hackert, Reinhardt, Koch, etc., formed the transition to the modern style. Frey, Chodowiecki, etc., gained great celebrity as engravers. Architecture flourished during the Middle Ages, painting at the time of the Reformation, and music in modern times.

My pretty, light room in the gable-end of the attic was given up to him, and immediately turned into a cabinet and studio; for he designed to keep all the artists at work for a long time, especially Seekatz of Darmstadt, whose pencil, particularly in simple and natural representations, highly pleased him.

Thus gossip Seekatz always had his quarters with us; and Abel, the last musician who handled the /viol di gamba/ with success and applause, was well received and entertained. With such youthful impressions, which nothing had as yet rubbed off, how could I have resolved to set foot in an inn in a strange city? Nothing would have been easier than to find quarters with good friends.

The partners in this affair were therefore greatly discouraged, especially Seekatz, a very hypochondriacal, retired man, who, indeed, by his incomparable humor, was the best of companions among friends, but who, when he worked, desired to work alone, abstracted and perfectly free.

But now, by the new arrangement, by more convenient room, and still more by the acquaintance of a skilful artist, our love of art was again quickened and animated. This artist was Seekatz, a pupil of Brinkmann, court-painter at Darmstadt, whose talent and character will be more minutely unfolded in the sequel. In this way the remaining rooms were finished, according to their several purposes.

My father only visited that room when the count was at table; and I can recall but one instance, when, Seekatz having excelled himself, and the wish to see these pictures having brought the whole house together, my father and the count met, and manifested a common pleasure in these works of art, which they could not take in each other.

Seekatz undertook country scenes, and succeeded extremely well in his old people and children, which were copied directly from nature. His young men did not answer so well, they were almost all too thin; and his women failed from the opposite cause. For as he had a little, fat, good, but unpleasant-looking, wife, who would let him have no model but herself, he could produce nothing agreeable.

I still remember, that when the boxes were standing ready to pack up all the pictures, in the order in which the upholsterer might hang them up at once, at their place of destination, a small but indispensable bit of afterwork was demanded; but Seekatz could not be moved to come over.