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Updated: June 18, 2025
Even when they smelt the hot food, the gulls did not alter their rhythmical pace and movement, but performed their journey in regular order, descending with each circle nearer and yet a little nearer to the ground.
Let us then inquire whether economy of the recipient's attention is not the secret of effect, alike in the right choice and collocation of words, in the best arrangement of clauses in a sentence, in the proper order of its principal and subordinate propositions, in the judicious use of simile, metaphor, and other figures of speech, and even in the rhythmical sequence of syllables. ii.
Whistling to Cinders, who was lying in the sunshine snapping at flies, she rose from her chair in the shade, dropped the crochet with which Mademoiselle had supplied her on the grass, and limped to the gate that opened on to the plage. At this juncture a rhythmical, unmistakable sound made her pause. A quick gleam of pleasure shone in her blue eyes. She turned her head eagerly.
The influence on the singing voice of a rightly used or rightly trained body is almost beyond the ability of man to put in words. All singing should be rhythmical. These flexible bodily movements develop rhythm. All singing should be the result of vitalized energy and never of muscular effort. These movements arouse energy and make direct effort unnecessary.
As Marie had said, it seemed indeed that while the sun slowly sank behind the lacework of clouds, the sower of eternal life scattered his flaming seed with a rhythmical swing of the arm, ever selecting the districts of toil and effort.
"Amen to that, ma'am," was the response, and then unconsciously lapsing into his rhythmical way of expressing himself, the old man added: "Though flying through the air so high they'll come back safely by and by." And then, while old Peter shuffled off to water the stock, Miss Prescott fell to continuing her fancy work which the good lady had brought with her from the Fast.
Still, the phrase is the strict analogue of the group, and successive phrases, like successive groups, must differ openly in length and rhythm. The rule of scansion in verse is to suggest no measure but the one in hand; in prose, to suggest no measure at all. Prose must be rhythmical, and it may be as much so as you will; but it must not be metrical. It may be anything, but it must not be verse.
The lyrical form is in fact the simplest verbal vesture of an instant of emotion, a rhythmical cry such as ages ago cheered on the man who pulled at the oar or dragged stones up a slope. He who utters it is more conscious of the instant of emotion than of himself as feeling emotion.
Poetical language is the key to the ideal world of poetry, poetic measure the key to poetical feeling; for the man, to whom the eloquent epithet is dumb and the living image is dead, and in whom the times of dactyls and iambuses awaken no inward echo, Homer and Sophocles have composed in vain. Let it not be said that poetical and rhythmical feeling comes spontaneously.
But all at once a loud, piercing shriek reached their ears, followed by howls and moans, like those of an animal that is being beaten or possibly slaughtered. Ah! those howls ringing out amidst all the stir of the toiling works, punctuated it seemed by the rhythmical puffing of the steam, accompanied too by the dull rumbling of the machinery!
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