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Updated: June 24, 2025


"I wish he'd indicated his tempi a little more clearly," I remarked as I finished Sarka for the third time. "It matters, because he really has something to say. An orchestral accompaniment would be better, I should think." "Yes, he sent the orchestral arrangement. Poppas has it. It works out beautifully, so much colour in the instrumentation.

Poppas stood before me in a short, tightly buttoned grey coat and cap, exactly the colour of his greyish skin and hair and waxed moustache; a monocle on a very wide black ribbon dangled over his chest. As to his age, I could not offer a conjecture. In the twelve years I had known his thin lupine face behind Cressida's shoulder, it had not changed.

Then, if ever in her life, she heard the bird sing on the branch outside her window; and she wished she were younger, lovelier, freer. She wished there were no Poppas, no Horace, no Garnets. She longed to be only the bewitching creature Bouchalka imagined her.

There were captious people who objected to her long and close association with Miletus Poppas. Her second husband, Ransome McChord, the foreign representative of the great McChord Harvester Company, whom she married in Germany, had so persistently objected to Poppas that she was eventually forced to choose between them. Any one who knew her well could easily understand why she chose Poppas.

Everything but her driving power Cressida had to get from the outside. Poppas was, in his way, quite as incomplete as his pupil. He possessed a great many valuable things for which there is no market; intuitions, discrimination, imagination, a whole twilight world of intentions and shadowy beginnings which were dark to Cressida.

I wrote Poppas some account of these horrors, as during the court proceedings we had become rather better friends than of old. His reply arrived only a few days ago; a photograph of himself upon a camel, under which is written: Traulich und Treu ist's nur in der Tiefe: falsch und feig ist was dort oben sich freut!

But you boys always think you know better than your Poppas," said he; and then, turning to the Count, "It isn't worth while troubling, Count; I'll see that these reports get contradicted, if I have to buy up a daily paper and issue it at a halfpenny. Yes, sir, you can leave it to me." The Count glanced at his friend, and they exchanged a grave look.

With him she could share the depressing knowledge of what a wretchedly faulty thing any productive faculty is. But if Poppas was necessary to her career, she was his career. By the time Cressida left the Metropolitan Opera Company, Poppas was a rich man. He had always received a retaining fee and a percentage of her salary, and he was a man of simple habits.

By the new year Bouchalka was fairly on his feet. He had proper clothes now, and Cressida's friends found him attractive. He was usually at her house on Sunday afternoons; so usually, indeed, that Poppas began pointedly to absent himself.

We determined that in this crisis we would stand by Poppas, believing it would be Cressida's wish. Out of the lot of them, he was the only one who had helped her to make one penny of the money that had brought her so much misery. He was at least more deserving than the others.

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