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But there must have been mighty great offence nevertheless, for the fisherman, in a twinkling, casting a fierce look at me, jumped overboard like a feather, clearing the rail like a flying fish, and swam to his canoe that had shoved off a few paces. When he got on board he stood up and shook his clenched fist at Obed, shouting, "Picaro, traidor, Ingleses hay abordo, quieres enganarnos!"

In this way is constructed the type of story known as picaresque, because in Spain, where the type was first developed, the hero was usually a picaro, or rogue. The narrative expedient in such stories is merely to select a hero capable of adventure, to fling him loose into the roaring and tremendous world, and to let things happen to him one after another.

"Well, picaro," I said to the man who was moaning, "what is the matter with you?" "Oh, Senor," he gasped, "for the love of God help me to get into the shadow of yonder bush. I am perishing of thirst, and this scorching sun is adding to my torments. If you will raise me to my knees perhaps I can manage to crawl to Ah, good! I have him! Quick, Jose, help me!

A slight quiver passed up the taut rope from the racked limbs, but the body of Senor Hirsch, enterprising business man from Esmeralda, hung under the heavy beam perpendicular and silent, facing the colonel awfully. The inflow of the night air, cooled by the snows of the Sierra, spread gradually a delicious freshness through the close heat of the room. "Speak thief scoundrel picaro or "

Jusserand, the author referred to, in his accounts of the English novel in the time of Shakespeare, tells us Nash was the most successful exponent in England of the picturesque novel. The picturesque novel is the forerunner of the realistic novel of modern times. It portrays the life and fortunes of the picarothe adventurer who tries all roads to fortune.

He, like the mountaineer of the South, has himself been largely inarticulate except for his rude songs and ballads; formula and tradition caught him early and in fiction stiffened one of the most picturesque of human beings a modern Centaur, an American Cossack, a Western picaro into a stock figure who in a stock costume perpetually sits a bucking broncho, brandishes a six-shooter or swings a lariat, rounds up stampeding cattle, makes fierce war on Mexicans, Indians, and rival outfits, and ardently, humbly woos the ranchman's gentle daughter or the timorous school-ma'am.

Some two years since, a band of six mounted banditti remained there three days, and plundered whomsoever approached from either quarter: their horses, saddled and bridled, stood picqueted at the foot of the trees, and two scouts, one for each eminence, continually sat in the topmost branches and gave notice of the approach of travellers: when at a proper distance the robbers below sprang upon their horses, and putting them to full gallop, made at their prey, shouting Rendete, Picaro!

In this way is constructed the type of story known as picaresque, because in Spain, where the type was first developed, the hero was usually a picaro, or rogue. The narrative expedient in such stories is merely to select a hero capable of adventure, to fling him loose into the roaring and tremendous world, and to let things happen to him one after another.

The Picaresque romance by Mateo Aleman Vida y Lechos del picaro Guzman de Alfarache, Part I., 1599; Part II., 1605. It was translated into English by James Mabbe in 1622 as The Rogue; or, The Life of Guzman de Alfarache. Lamb had a copy, which is now in my possession, with Mary Lamb's name in it. London Magazine, January, 1823.