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I ain't hired by the railroad company to get in no movin' picter," growled the station master. "I'm here to 'tend to the railroad business, and nothin' else." "Never mind, Mr. Ricks, if they've got you in the picture you ought to be proud of it," declared Tom. "Think of the millions and millions of people all over the world who will be looking at you when they visit the moving picture theaters."

She crept to one side of the draw and crouched low. He did not at once dive in. From where she lay hidden, June could hear the sound of his footsteps as he moved to and fro. "Don't you try to make a fool of Jake Houck, girl," he called to her angrily. "I ain't standin' for any nonsense now. We got to be movin' right along. Come outa there."

"Well," said she, "I've often heard it said that one is sometimes to disbelieve their own eyes; an' only that I known the thing couldn't happen, I would swear on the althar that I seen it movin'."

If 't bed bin gradjooal like, she might have took it more natcheral; but it come all of a suddent, an' she's that purse-proud now, 'm, that she'll be movin' up on Nob Hill ef she don't hev no stroke o' bad luck to show 'er her place! Good day, 'm!"

"Nothin'." "All right. Get a movin' and don't try to run. I got my rope handy." High-Chin Bob The man's rusty black coat was torn and wrinkled. His cheap cotton shirt was faded and buttonless. His boots were split at the sole, showing part of a bare foot. He was grimy, unshaven, and puffed unhealthily beneath the eyes. Lorry knew that he was but an indifferent rider without seeing him on a horse.

"'Twas the Cap'n himself, settin' on a pile of movin' joist and smokin' as usual. I didn't waste no time. "'Sol, says I, 'I've just come from Olive's. She's got that letter from the Omaha man. Poor thing! all alone there "He interrupted me sharp. 'Well? he snaps. 'What's it say? Will the cousin help her? "'No, I says, 'drat him, he won't!

She set all wrapped up in a shawl, a basket o' cups side of her, an' the Jersey standin' there, quiet an' demure. An' beyond, in the cut an' movin' acrost the Pump pasture, it was thick with lanterns. "But before we three'd hed time to burst out like we wanted to, we sort o' scrooched back again. Because on the other side o' the cow we heard Timothy Toplady's voice.

I guess it's safe enough." "That's more like my old pal Tim. I knew you had nerve enough. Let's be movin'. The sooner we go, the sooner we'll be back. And we'll show who's afraid eh, old sport?" "That's the stuff, Larry! Guess there ain't no one big enough to tell us what to do." And, with linked arms, they moved off.

What hand shoved us forwards out of the shadows, and what hand will reach out to us from the shadows and draw us back agin? Have you seen it Josiah Allen? You have felt this great onseen force a movin' you along, but you haint sot your eyes on it. "What is there above us, below us, about us, but a waste of mystery, a power of onseen influences?.

Did yo'gran'fadder expect to ride at de rate ob sixty miles an hour? Did he expect to send a telegram to San Francisco in a couple ob minutes? Did he eber dream ob talkin' to sumboddy in Chicago froo a telephone? Did he knew anyt'ing about electric lights, or movin' pictures, or carriages wot aint got no bosses, but run wid gasoline or sumfing like dat?