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Updated: June 22, 2025
Mario Morasso, in his volume, L'Imperialismo nel Secolo XX, published in 1905, opened fire on the still predominant Socialistic internationalism and sentimental humanitarianism, and extolled the policy of conquest and expansion adopted by Great Britain, Germany, France, and the United States as a means of strengthening the fiber of the national character.
But my father loves me so fondly, that if I were to leave him, he would die. Let us wait, and perhaps he may overcome his prejudice toward you." "He dislikes me because I am poor and unknown. But," exclaimed Mario, with a haughty glance, "the time may come and will come, when he will not he ashamed to acknowledge me. Art can ennoble the poor and obscure." "I know you will become great, Mario.
Don Mario and Leonora were surprized at the News, for he knew well enough of the Match that was design'd for Juliana; and having enquired where the Marquess was, it was told him, That he was gone with Don Fabio and Fabritio toward Aurelian's Lodgings.
Nothing further, however, happened to strengthen that suspicion until, in the autumn of that year, a letter signed Mario was intercepted by the censor. It was sent to a Diego Perez, the Director of a fruit company at Murcia, for Emma Grutsner." "You sent me a telegram about her," exclaimed Hillyard, "in November."
Sigourney in the cork-woods of Monte Mario, and from Mr. Willis among the ruins of Veii. Rowland was of a dozen different minds about her, and was half surprised, at times, to find himself treating it as a matter of serious moment whether he liked her or not. He admired her, and indeed there was something admirable in her combination of beauty and talent, of isolation and tranquil self-support.
"Call me Mario Nobili that will do," answered the count, reddening to the roots of his chestnut curls. The marchesa inclined her head, and smiled a sarcastic smile, as if rejoicing to acquaint herself with a fact before unknown. Then she resumed: "Mario Nobili you saved my niece's life last night. I am advised that I cannot refuse you her hand in marriage, although "
Mario Escobar had been taken away that morning. The news had reached Rackham, as it had reached every other house in the country-side. Joan knew of it, and she felt soiled and humiliated beyond endurance as she thought upon her association with the spy.
And if this scene were not too much darkened and loaded with blacks, which Giulio always delighted to use in colouring, it would be altogether perfect; but this takes away much of its grace and beauty. In the same scene he painted the whole landscape of Monte Mario, and the River Tiber, in which Maxentius, who is on horseback, proud and terrible, is drowning.
No living man commanded so vast an audience as Paul Mario, and now his voice spoke in a new tone. To some it came as a balm, to some it brought disquiet; in each and everyone it wrought a change of outlook. Following a period of strife wherein all save brute force seemed to have perished, it vindicated the claims of him who said that the pen was mightier than the sword.
Do not let them spoil you at the Villa Medici your head a little higher so." The first drawing in of the figure is not a thing to be taken lightly, and the silence was seldom broken at Varini's on Monday evenings. The two boys, however, found it hard to repress the natural loquacity of their extreme youth. "Al lavoro, Mario! What are you whispering about? Cesare, zitto!" Bembi stared at them.
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