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Updated: June 14, 2025


It was a nasty night for any sort of a sleeper; for a dead one it was very bad. Glover walked into the Lalla Rookh vestibule, around the smoking-room passage, and into the main aisle of the car, dimly lighted at the hind end. He made his way to the stateroom.

I have been down to the seashore and smelt the salt sea, and like it; and I have seen the Hooper pointing her great bow seaward, while light smoke rises from her funnels, telling that the fires are being lighted; and sorry as I am to be without you, something inside me answers to the call to be off and doing. "Lalla Rookh, Plymouth, June 22.

His prose writings, however, display more consistency of principle than the laureate's: his verses more taste. We will venture to oppose his Third Canto of the Story of Rimini for classic elegance and natural feeling to any equal number of lines from Mr. Southey's Epics or from Mr. Moore's Lalla Rookh.

I ask two thousand five hundred guineas for it, which you will either give or not as you think proper.... If Mr. Eustace was to have two thousand for a poem on Education; if Mr. Moore is to have three thousand for Lalla; if Mr. Campbell is to have three thousand for his prose or poetry. I don't mean to disparage these gentlemen or their labours. but I ask the aforesaid price for mine."

Then we find the following critical entry: "I shall NEVER read 'Lalla Rookh' again!... The Vale of Cashmere may sound fine in poetry but it FEELS TOUGH beneath one's feet whenever one dismounts.... I might overlook the rough spots easily enough had not OLGA suddenly interested herself in my ANCESTRY while she found employment for Maria with her brother, who seems sadly out of breath.... My 'prisoner' has forgotten all about me in the absorbing interest he displays in what he declares to be EARLY MISSIONARY WORK OF JESUS in these very interesting stretches.

In 1818 he produced the Fudge Family in Paris, written in that city, which then swarmed with "groups of ridiculous English." Lalla Rookh, with its gorgeous descriptions of Eastern scenes and manners, had appeared in the previous year with great applause.

Her companions watching her with loving eyes, never faltered in their kindness and love for her. Indeed it seemed as though they could not avoid tendering her this affection, she was so very beautiful and gentle in all things. They had named her Lalla, or the tulip, because of her love for that beautiful and delicate flower.

Ever and anon the monarch cast glances of such tenderness towards her that an unprejudiced observer would have noticed at once the warmth of his feelings towards her, while the gentle slave, for it was Lalla, turned over a pile of rich English engravings, pausing now and then to hold one of more than usual interest before his eyes. It was an interesting scene.

It is an illustration of the warping effect of friendship upon the critical faculty that his opinion of Moore at this time was totally changed by subsequent intimacy. At a later date the two authors became warm friends and mutual admirers of each other's productions. In June, 1817, "Lalla Rookh" was just from the press, and Irving writes to Brevoort: "Moore's new poem is just out.

All this had wrought a corresponding change in the heart of the Sultan; indeed his affection and, interest for Lalla had even more than kept pace with this improvement in her appearance; and now it was for the first time since she came there, that those scarcely less beautiful Georgians, the petted favorites, heretofore, of the monarch, now evinced feelings of envy that it was impossible to disguise.

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