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Of his compositions H.E. Krehbiel in 1892 recorded the opinion that they "entitled him to a position among the foremost musicians in this country." He is an uncle of Arthur Whiting. G.W. Marston's setting of the omnipresent "Du bist wie eine Blume" is really one of the very best Heine's poem has ever had. Possibly it is the best of all the American settings.

My elder brother Edward subsequently married a Burgundian girl named Clerget, and my stepbrother Frank chose an American one, nee Krehbiel, as his wife, these marriages occurring because circumstances led us to live for many years abroad. Among the first London parishes with which the family was connected was St.

In this work use is made of an actual Indian theme, which was jotted down by H.E. Krehbiel, and is worked up delightfully in the cantata, an incessant thudding of a drum in an incommensurate rhythm giving it a decidedly barbaric tone. The cantata contains also a quaint and touching contralto aria, and a pathetic setting of the death-song of Minnehaha.

There are those who speak ill of this devoted wife, and even Mr. Krehbiel, whose book of essays I have quoted from with such pleasure, speaks of Constanze as "indifferent to the disposition of the mortal remains of her husband whose genius she never half appreciated." For this and other slighting allusions to Constanze in other biographies, there exists absolutely no supporting evidence.

He landed finally in Cincinnati, where he secured an unimportant position on The Enquirer. His friends at that time were H. E. Krehbiel, Joseph Tunison, and H. F. Farney, the artist. His letters, printed in this volume, and ranging from 1877 to 1889, addressed to Mr. Krehbiel, are the most interesting for the students of Hearn the literary aspirant.

Mary Garden once sent a jewelled gift to the chef at the Ritz-Carlton in return for a superb fish sauce which he had contrived for her. H. E. Krehbiel says that Brignoli "probably ate as no tenor ever ate before or since ravenously as a Prussian dragoon after a fast." Pêche Melba has become a stable article on many menus in many cities in many lands. Agnes G. Murphy, in her biography of Mme.

Krehbiel, in the Tribune, praised the concerto as "a splendid composition, so full of poetry, so full of vigor, as to tempt the assertion that it must be placed at the head of all works of its kind produced by either a native or adopted citizen of America"; and he confessed to having "derived keener pleasure from the work of the young American than from the experienced and famous Russian" Tchaikovsky, whose Fifth Symphony was performed then for the first time in New York.

Hearn wrote him that he could listen to Patti after he had read Krehbiel. This proves him to be of the "literary" type of music lover; music must first be a picture before it makes a tonal image in the cortical cells. The most remarkable thing in the Hearn case is his intensity of vision without adequate optical organs. With infinite pains he pictured life microscopically.

Shorter American and English books on Wagner have been written by Kobbé, Krehbiel, Henderson, Hueffer, Newman, &c. Of French writers Lavignac, Jullien, Mendès, Servières, Schuré, may be mentioned. Of great value are Kufferath's monographs on the Wagner operas and Liszt's analyses.

He envies the solid architecture of that music-critic's prose, but realises that it is not for him lack of structure is his chief deficiency. But he passionately admired that quality in others wherein he felt himself wanting. He was generous to others, not to himself. It is unfortunate that he studied the prose of the seventeenth century. Mr. Krehbiel evidently knew of his tone-deafness.