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Updated: June 6, 2025


Hsiang Ling took the poems and repaired back to the Heng Wu-yuean. And without worrying her mind about anything she approached the lamp and began to con stanza after stanza. Pao-ch'ai pressed her, several consecutive times, to go to bed; but as even rest was far from her thoughts, Pao-ch'ai let her, when she perceived what trouble she was taking over her task, have her own way in the matter.

Pao-ch'ai too then came forward, and picked up a double cup; but, after drinking a mouthful of it, she lay it aside, and, moistening her pen, she walked up to the wall, and marked off the first theme: "longing for chrysanthemums," below which she appended a character "Heng." "My dear cousin," promptly remarked Pao-yue. "I've already got four lines of the second theme so let me write on it!"

This time it was by a Chinese official one Yuan Pao Hêng, an uncle of the famous Yuan Shih Kai, whose influence is paramount in the Flowery Land to-day, and who more than any other single man was probably responsible for the Imperial Edict which ordered the opium traffic to be abolished within ten years.

"This stanza ranks above all!" they unanimously remarked, after it had been read for their benefit. "As regards beauty of thought and originality, this stanza certainly deserves credit," Li Wan asserted; "but as regards pregnancy and simplicity of language, it, after all, yields to that of Heng Wu." "This criticism is right." T'an Ch'un put in.

In the Study of Autumnal Cheerfulness is accidentally formed the Cydonia Japonica Society. In the Heng Wu Court, the chrysanthemum is, on a certain night, proposed as a subject for verses. But to continue. After Shih Hsiang-yuen's return home, Pao-yue and the other inmates spent their time, as of old, in rambling about in the garden in search of pleasure, and in humming poetical compositions.

He quickly discharged an arrow, striking him in the left eye, and the horseman at once took to flight. He was accompanied by a young woman named Hêng O , the younger sister of Ho Po, the Spirit of the Waters. Shên I shot an arrow into her hair. She turned and thanked him for sparing her life, adding: "I will agree to be your wife."

Impozzible! who says it's impozzible? It's themselves I'm telling you, ma'm. Guy heng! The woman's mad, putting a scream out of herself like yonder. Safe? Coorse they're safe, bad luck to the young wastrels! You're for putting up a prayer for your own one. Eh? Well, I'm for hommering mine. The dirts? Weaned only yesterday, and fetching a dacent man out of his bed to find them. A fire at them, too!

These were Hêng and Ha, the Snorter and Blower respectively. The former was the chief superintendent of supplies for the armies of the tyrant emperor Chou, the Nero of China. The latter was in charge of the victualling department of the same army. From his master, Tu O, the celebrated Taoist magician of the K'un-lun Mountains, Hêng acquired a marvellous power.

"Do you want to hear it or not?" asked Hsueeh P'an, "this is a new kind of song, called the 'Heng, heng air, but if you people are not disposed to listen, let me off also from saying what I have to say over the heel-taps and I won't then sing." "We'll let you off! We'll let you off," answered one and all, "so don't be hindering others." "A maiden is sad," Chiang Yue-han at once began,

No living being was to be seen. All of a sudden she began to cough, and vomited the covering of the pill of immortality, which was changed into a rabbit as white as the purest jade. This was the ancestor of the spirituality of the yin, or female, principle. Hêng Ô noticed a bitter taste in her mouth, drank some dew, and, feeling hungry, ate some cinnamon. She took up her abode in this sphere.

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