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Updated: June 13, 2025


Then he meant to give it with the eight others to Queen Guinevere. He spoke kindly, however, to the beautiful Elaine. "In truth, this fair maiden is fit to be a queen." Then Elaine lifted her eyes and looked at him. He was twice as old as she was.

They all had names of strange beauty and splendour Guinevere Elaine Vivien names which softly rustled in syllables of silken brocade. The other book was no less satisfying. It was a book of poems wonderful poems, by a man named Swinburne lilting, haunting things of beauty which washed through her soul like the waves of a sun-bejewelled sea.

They could not even be unflexed; and other mere pollywogs near by were wriggling toes, calves, and thighs while yet these were but imperfect buds. When she dived suddenly, the toes occasionally moved a little; but as a whole, they merely sagged and drifted like some extraneous things entangled in the body. Smoothly and gracefully Guinevere moved about the aquarium.

Sir Ivaine sent a letter to King Arthur telling the result of his adventure. Soon the messenger returned bearing rich gifts from the king and Guinevere, and an invitation to come to Camelot whenever they wished to. The lady, however, persuaded Sir Ivaine to promise to remain with her in her castle.

One day in May Queen Guinevere invited ten ladies and ten knights to ride a-Maying with her the next morning in the woods. So at the appointed time they assembled, all dressed in green silk and green velvet, the color of young grass. The knights wore white plumes in their helmets, and the ladies wore white May-blossoms in their hair.

This idea is suggested in its title. In the old French romance of Launcelot of the Lake, it was Gallehault who first prevailed on Queen Guinevere to give a kiss to Launcelot: he was thus the means of making actual their potential guilty love. His name thereafter, like that of Pandarus of Troy, became a symbol to designate a go-between, inciting to illicit love.

"Read 'Elaine, please. I want to hear that once more." Reeves felt a sudden dislike to her choice. "Wouldn't you prefer something else?" he asked, hurriedly turning over the leaves. "'Elaine' is rather sad. Shan't I read 'Guinevere' instead?" "No," said Helen in the same lifeless tone. "I have no sympathy for Guinevere.

When Guinevere deserts him, and some of his knights are slain, his remark not whispered into the ear of a confidant, but uttered aloud in the presence of all around him is, “I am sorrier for my good knights’ loss than for the loss of my fair Queen, for queens I might have enow.” Such a sentiment, expressed in public, does not seem quite up to our modern standard of courteous, or even civilised, conduct, and yet here we have the sentiments of the Prince of Chivalry, as conceived by the poets of the thirteenth century.

"But Guinevere lay late into the morn, Lost in sweet dreams, and dreaming of her love For Lancelot, and forgetful of the hunt; But rose at last, a single maiden with her, Took horse, and forded Usk, and gain'd the wood; There, on a little knoll beside it, stay'd Waiting to hear the hounds; but heard instead A sudden sound of hoofs, for Prince Geraint, Late also, wearing neither hunting-dress Nor weapon, save a golden-hilted brand, Came quickly flashing thro' the shallow ford Behind them, and so gallop'd up the knoll.

They had analyzed and parsed it and torn it to pieces in general until it was a wonder there was any meaning at all left in it for them, but at least the fair lily maid and Lancelot and Guinevere and King Arthur had become very real people to them, and Anne was devoured by secret regret that she had not been born in Camelot. Those days, she said, were so much more romantic than the present.

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