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Updated: July 8, 2025


Out of these marbles the sculptor carved a noble bas-relief of the Dead Christ and the two admirable effigies of the duke and duchess, which now adorn the Certosa of Pavia. His task was probably finished before the close of the following year, and the tomb was set up in the Cappella maggiore of S. Maria delle Grazie, at a cost of upwards of 15,000 ducats.

Within the Casa Italiana there is an exact reproduction of the library of the S. Maria delle Grazie, Milan. Italian Pavilion In the Court Verrochio The arcade which connects the Etruscan Tower with the Bargello Hall separates the smaller court of the Italian Pavilion from the Piazza Grande.

On perceiving Pierre, La Pierina had started with timidity and distrust as if anxious to flee; but when she understood him, tears of happiness gushed from her eyes, and with a bright smile she kissed her hand to him, calling: "/Grazie, grazie/, thanks, thanks!" And thereupon she darted away, and he never saw her again.

I do not know if the story is true, but this is the story, Signori, and there is the train for Napoli. Ah, grazie! Signori, grazie tanto! A rivederci! Signori, a rivederci!" Sister Maddelena. Across the valley of the Oreto from Monreale, on the slopes of the mountains just above the little village of Parco, lies the old convent of Sta. Catarina.

Maurice held out his cigarette-case. "Take two three!" "Grazie, signore, mille grazie!" He took them greedily. "And the fair, signorino only four days now to the fair! I have been to order the donkeys for me and Maddalena." "Davvero?" Maurice said, mechanically. "Si, signore. From Angelo of the mill. He wanted fifteen lire, but I laughed at him. I was with him a good hour and I got them for nine.

"Has her Majesty any further commands?" "Grazie, grazie," said her kissing Majesty, "niente!" and so was left alone with all that she held true in Padua. "Oh, come, Nannina, come and sit with me; come to the window let us have the air." She led her there. "O lasso!" said she then, and sighed; "how good it is to see thee, child!" Before the other could let out a "Madonna!" she began her plaint.

"Here is a chair for you, signorino. Take it quickly." "At any rate, let us offer them something." "Much better spare your soldi now, signorino, and buy something at the auction. That clock plays the 'Tre Colori' just like a band." "Buy it. Here is some money." He thrust some notes into the boy's ready hand. "Grazie, signorino. Ecco la musica!"

Among the many illustrious personages, religious and secular, who were present on this occasion, Fra Luca mentions "Messer Galeazzo Sforza di San Severino, my own special patron," to whom he presented the beautiful illuminated copy of his treatise, now in the Ambrosiana, the Prior of the convent of Santa Maria delle Grazie, the doctors and astrologers, Ambrogio da Rosate, Pirovano, Cusani and Marliani, and many well-known jurists, councillors, architects, and engineers, including Leonardo da Vinci, "our fellow-citizen of Florence, who, in sculpture and painting alike, justifies his name and surpasses" i.e. vince = conquers "all other masters."

This was a common practice with many Italian princesses who had lately recovered from illness or given birth to a child, and one to which we find frequent allusion in the correspondence of Isabella d'Este. On Saturday all the court attended high mass at S. Maria delle Grazie, and a last entertainment was given, this time by Duchess Beatrice herself, in the Rocchetta.

Where did you find it, Gaspare at the fair?" "Si, signora!" Solemnly he handed it, still playing brightly, to his padrona, just a little reluctantly, perhaps, but very gallantly. "It is for you, signora." "A present oh, Gaspare!" Again her voice was veiled. She put out her hand and touched the boy's hand. "Grazie! How sweetly it plays! You thought of me!"

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