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Updated: May 7, 2025
And for these I pass by the pictures by Benozzo Gozzoli, by Sodoma, and the rest, for they are as nothing. It is, however, not a work of art at all that is perhaps the most interesting thing in the Museo; but a model of the Giuoco del Ponte, with certain banners, flags, bucklers, and such, once used by the Pisans in their national game.
It was realism sometimes a kind of mystic evocation of nature, disembodied and divinely pure, as in Beato Angelico; often exquisitely fresh and youthful, as in his pupil, Benozzo Gozzoli, whose vast series of frescoes half fills the Camposanto of Pisa sometimes tentative and experimental, or gravely grand, as in Masaccio, impetuous and energetic as in Fra Lippo Lippi, fanciful as in Botticelli but still, always realism, in the sense of using nature directly, without any distinct effort at illusion, the figures mostly taken from life, and generally disposed in one plane, the details minute, the landscapes faithful rather than suggestive.
In Germany it may be seen in the very bunglers among painters; in Italy, setting aside Angelico, whose works reveal his saintly spirit and are the coloured image of his secret soul, and his pupil, Benozzo Gozzoli, the last of the Mediæval painters; if we also except his precursors: Cimabue, the survivors of the rigid Byzantines, Giotto who thawed those fixed and puzzling figures, Orcagna, Simone di Martino, Taddeo Gaddi all the very early painters how much dexterous trickery do we find among the great painters, mimicking the religious note, and producing a deceptive imitation by sheer sham.
They reduced the generality of Florentine citizens, who were once omnipotent, to a nullity; but they had at least, the sense to cherish Donatello and Ghiberti, Brunelleschi and Gozzoli, Ficino and Politian. It is singular, too, with what comparatively small means the Medici were enabled to do such great things.
We have to turn aside and land upon the shore, in order to visit the heaven-reflecting lakelet, self-encompassed and secluded, called Angelico. Benozzo Gozzoli, the pupil of Fra Angelico, but in no sense the continuator of his tradition, exhibits the blending of several styles by a genius of less creative than assimilative force.
I stood there, not daring to move; he was still confronting us, an immense figure in his white nightshirt, crowned with the pink and violet scarf of Indian cashmere in which, since he had begun to suffer from neuralgia, he used to tie up his head, standing like Abraham in the engraving after Benozzo Gozzoli which M. Swann had given me, telling Sarah that she must tear herself away from Isaac.
Mediaeval Motives exhausted New Impulse toward Technical Perfection Naturalists in Painting Intermediate Achievement needed for the Great Age of Art Positive Spirit of the Fifteenth Century Masaccio The Modern Manner Paolo Uccello Perspective Realistic Painters The Model Piero della Francesca His Study of Form Resurrection at Borgo San Sepolcro Melozzo da Forli Squarcione at Padua Gentile da Fabriano Fra Angelico Benozzo Gozzoli His Decorative Style Lippo Lippi Frescoes at Prato and Spoleto Filippino Lippi Sandro Botticelli His Value for the Student of Renaissance Fancy His Feeling for Mythology Piero di Cosimo Domenico Ghirlandajo In what sense he sums up the Age Prosaic Spirit Florence hitherto supreme in Painting Extension of Art Activity throughout Italy Medicean Patronage.
He says, in reference to the 48th Psalm, that when Herod found that the three Kings had escaped from him "in ships of Tarsus," in his wrath he burned all the vessels in the port. There is a beautiful fresco of the journey of the Magi in the Riccardi Chapel at Florence, painted by Benozzo Gozzoli for the old Cosmo de' Medici. "The Baptism of the Magi by St.
We now visit San Gemignano in order to study some fading frescoes of Gozzoli and Ghirlandajo, or else for the sake of its strange feudal towers, tall pillars of brown stone, crowded together within the narrow circle of the town walls.
Angelo Poliziano, who was certainly the chief scholar of his age in the new learning, and no less certainly one of its truest poets in the vulgar language, lived as tutor to Lorenzo's children in the palace of the Medici at Florence. Benozzo Gozzoli introduced his portrait, together with the portraits of his noble pupils, in a fresco of the Pisan Campo Santo.
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