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Updated: June 26, 2025
Her changing moods, as it were, ran riot. She was like a woman excited and happy over her lover's return. But at length, after the swaying fugues of delirium, after the marvellous rendering of a vision of the past, a revulsion swept over the soul that thus found utterance for itself. With a swift transition from the major to the minor, the organist told her hearer of her present lot.
The little town was very badly provided for music; there was nobody who could give me instruction except an old opinionated organist; he, however, was merely a dry arithmetician, and plagued me to death with obscure, unmelodious toccatas and fugues. But I held on bravely, without letting myself be daunted.
But as there are in those same tubes of oozy paint horrific visions like Franz Stuck's "War," or portraits of plutocrats by Bonnat, and as there are in ink-bottles sad potencies of tailors' bills and scathing reviews of this very book, so it is possible under the name of music to write fugues and five-finger exercises, and yet more settings of "Hiawatha," or "Du bist wie eine Blume"
He is playing on it just now ... that means we are all to dance to his piping. But still worse than the flute is something which they call a fugue; I do not know whether one can call it music, but yesterday Sebastian Bach was here 'the great Bach' of course and had his son Philipp Emanuel with him. The whole afternoon they played so-called fugues, so that I had to go to bed and take medicine.
And supper when they got home for memory is so powerful an alchemist as to transmute suppers as well as sunsets. What suppers! Cider-cup with borage floating in it, cold lamb and mint sauce, watercress, and a triangular commons of Stilton. Why, he had not tasted Stilton for forty years! No, Willis never knew any music, but he loved a fugue. Ah, the fugues they had!
"On reaching home again, I was seized with a sort of fury: I pounced upon all the toccatas and fugues that I had hammered out, as well as a beautiful copy of forty-five variations of a canonical theme that the organist had written and done me the honour of presenting to me, all these I threw into the fire, and laughed with spiteful glee as the double counterpoint smoked and crackled.
Absolute finger independence and touch discrimination and color are to be gained by playing the preludes and fugues of Bach. Chopin started a method but it was never finished and his sister gave it to the Princess Czartoryska after his death. It is a mere fragment. Janotha has translated it. One point is worth quoting.
Weinlich himself did not seem to attach much importance to what he had taught me: he said, 'Probably you will never write fugues or canons; but what you have mastered is Independence: you can now stand alone and rely upon having a fine technique at your fingers' ends if you should want it.
I try to teach only the essentials. There are so many études and studies that are good, Czerny, for instance, is splendid. I believe in it all, but there is not time for much of it. So with Bach. I approve of studying everything we have of his for piano, from the 'Little Pieces' up to the big Preludes and Fugues. Whenever I can I use Bach.
His third symphony, redolent of Haydn, with a delightful scherzo, his fugues, quartet, ballets, operas he composed fifteen, some of which are still popular in Russia prove him a past master in his technical medium; but the real engaging and fantastic personality of the man evaporates in his academic work.
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