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Updated: June 20, 2025
Marsilio Ficino has told us how Pico came to Florence. It was the very day some day probably in the year 1482 on which Ficino had finished his famous translation of Plato into Latin, the work to which he had been dedicated from childhood by Cosmo de' Medici, in furtherance of his desire to resuscitate the knowledge of Plato among his fellow-citizens.
Then came the third age of scholarship the age of the critics, philologers, and printers. What had been collected by Poggio and Aurispa had now to be explained by Ficino, Poliziano, and Erasmus. They began their task by digesting and arranging the contents of the libraries.
How rudimentary as regards medical science that skill was may be judged from the fact that the staple remedy prescribed by the great Milanese doctor, Lazaro da Ficino, who had been called in to consult with Lorenzo's own medical man, Pier Leoni of Spoleto, was a potion compounded of crushed pearls and jewels.
Especially on every thirteenth of November, reputed anniversary of Plato's death, it had looked down from under laurel leaves on a picked company of scholars and philosophers, who met to eat and drink with moderation, and to discuss and admire, perhaps with less moderation, the doctrines of the great master: on Pico della Mirandola, once a Quixotic young genius with long curls, astonished at his own powers and astonishing Rome with heterodox theses; afterwards a more humble student with a consuming passion for inward perfection, having come to find the universe more astonishing than his own cleverness: on innocent, laborious Marsilio Ficino, picked out young to be reared as a Platonic philosopher, and fed on Platonism in all its stages till his mind was perhaps a little pulpy from that too exclusive diet: on Angelo Poliziano, chief literary genius of that age, a born poet, and a scholar without dulness, whose phrases had blood in them and are alive still: or, further back, on Leon Battista Alberti, a reverend senior when those three were young, and of a much grander type than they, a robust, universal mind, at once practical and theoretic, artist, man of science, inventor, poet: and on many more valiant workers whose names are not registered where every day we turn the leaf to read them, but whose labours make a part, though an unrecognised part, of our inheritance, like the ploughing and sowing of past generations.
The pioneer now is not a professor but a general practitioner, Antonio Benivieni, of whom we know very little save that he was a friend of Marsilio Ficino and of Angelo Poliziano, and that he practiced in Florence during the last third of the fifteenth century, dying in 1502.
Then came the third age of scholarship the age of the critics, philologers, and printers. What had been collected by Poggio and Aurispa had now to be explained by Ficino, Poliziano, and Erasmus. They began their task by digesting and arranging the contents of the libraries.
When Gemisthus Pletho came to Florence, Cosimo made one of his audience, and was so moved by his eloquence that he determined to establish a Greek academy in the city on the first opportunity. He was the dear friend of Marsilio Ficino, and he founded the Libraries of S. Marco and of the Badia at Fiesole.
It all hangs on the calling of the learned Johannes Argyropulos, and on the personal enthusiasm of Cosimo himself in his last years, which was such that the great Marsilio Ficino could style himself, as far as Platonism was concerned, the spiritual son of Cosimo.
It was in this age of religious apathy and scandalous vices, yet of awakening intelligence and artistic glories, when the greatest enthusiasm was manifested for the revived literature and sculptured marbles of classic Greece and Rome, that Savonarola appeared in Florence as a reformer and preacher and statesman, near the close of the fifteenth century, when Columbus was seeking a western passage to India; when Michael Angelo was moulding the "Battle of Hercules with the Centaurs;" when Ficino was teaching the philosophy of Plato; when Alexander VI. was making princes of his natural children; when Bramante was making plans for a new St.
To his beautiful villa of Careggi, and to that room facing the south which he called his own, he retired, and summoned Ficino, Poliziano, and Pico della Mirandola to bear him company until he dipped his feet in the River of Death. They discussed many things, but principally the consolations afforded by philosophy.
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