Alessi, in like manner, at Genoa, felt the influences of a rich and splendour-loving aristocracy. His church of S. Maria di Carignano is one of the most successful ecclesiastical buildings of the late Renaissance, combining the principles of Bramante and Michael Angelo in close imitation of S. Peter's, and adhering in detail to the canons of the new taste.

Michelangelo had come to Rome under San Gallo's influence, and Bramante had just succeeded in winning the commission to rebuild S. Peter's over his rival's head. It was important for him to break up San Gallo's party, among whom the sincere and uncompromising Michelangelo threatened to be very formidable.

In the service of that Pontiff Bramante went to Bologna, in the year 1504, when that city returned to the Church; and he occupied himself, throughout the whole war against Mirandola, on many ingenious things of the greatest importance.

To console myself I looked up, during the evening, Michael Angelo's noble letter about Bramante. "One cannot deny," says he, "that Bramante was as excellent in architecture as any one has been from the ancients to now. He placed the first stone of St.

The rich man brought his merchandise, the poor his industry: the one was sure of finding workmen, the other was sure of finding work. Art also was by no means behindhand: Dante, Giotto, Brunelleschi, and Donatello were dead, but Ariosto, Raphael, Bramante, and Michael Angelo were now living.

He was invited to add a finishing touch to the Masaccio frescos; Leonardo, the courtly, had smiled a gracious recognition, and Michelangelo had sneezed at mention of his name. Bramante, back at Rome, told Pope Julius the Second, "There is a young Umbrian at Florence we must send for." Great things were happening at Rome about this time: all roads led thitherward.

Thereupon there came to Raffaello a great increase of glory, and likewise of rewards; and for this reason, in order to leave some memorial of himself, he caused a palace to be built in the Borgo Nuovo at Rome, which Bramante executed with castings.

The protector and friend of Bramante, of Michelangelo and of Raphael, of the great architect, the great sculptor and the great painter, has not so much as the least work of any of the three to mark his place of rest. Perhaps he needed nothing but his name.

Meanwhile Bramante, having brought Raffaello da Urbino to Rome, set him to work at painting the Papal apartments; whereupon Giuliano, perceiving that the Pope took great delight in those pictures, and knowing that he wished to have the ceiling of the chapel of his uncle Sixtus painted, spoke to him of Michelagnolo, adding that he had already executed the bronze statue in Bologna.

During this year, Bramante, having finished the palace of Vigevano and completed the new buildings at the royal villas of Abbiategrasso, Cuzzago and other places, upon which he had been long engaged, began several important works in Milan itself.