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Help me to bandage it, or I shall bleed to death ere my confession." "Per fede," said the Tribune, his strange humour enjoying the man's cool audacity; "but, considering the service thou wouldst have rendered me, thou art the most pleasant, forbearing, unabashed, good fellow, I have seen this many a year. Give us thine own belt.

There were Raphael's Madonna of the Agnus Dei, Andrea del Sarto's Portrait of Lucrezia Fede, Titian's Salome, Botticelli's Madonna and Angels and numbers of Tintorettos, Carpaccios, Rembrandts, Velasquez. "What fine copies!" said Beautrelet, approvingly. Lupin looked at him with an air of stupefaction: "What! Copies! You must be mad!

Officio del Savonarola, with preface by Cesare Guasti. Firenze, 1863. Guicciardini, in his Ricordt, No. i., refers the incredible obstinacy of the Florentines at this period in hoping against all hope and reason to Savonarola: 'questa ostinazione ha causata in gran parte a fede di non potere perire, secondo le predicazioni di Fra Jeronirno da Ferrara.

Don Calixto kept exclaiming. "That is why they say: 'Roma veduta, fede perduta."

Well! the Casa Cattolica is a broad foundation: I find Francis of Umbria at the same board with Sicilian Thomas. If I cleave to the one must I despise the other? Lady Fede has my heart and Lady Dottrina must put aside the birch if she would share that little kingdom. Religio habet, said Pico; theologia autem invenit. Let her find.

Carita is a deep-breasted market-girl nursing two brown babies, whom I have just seen sprawling over a gourd in the Campo Marzio; Fortezza, Speranza, Fede, I know them all, bless their sober, good eyes! in the fruit-market, or selling newspapers, or plaiting straws in the Piazza.

But the one which most attracts and holds all those who regard the Faultless Painter with sympathy, and who admiring his genius regret his errors, is a portrait of his wife Lucrezia Fede, whose name, a French writer has said, is a double epigram.

She was a Genoese, and proud as the snow. Why did Giuliano love her? Did he love her, indeed? He was bewitched then, for she was cold, and a brazen creature in spite of it. How dare she bare her neck so! Oh! 'twas Genoese. "Uomini senza fede e donne senza vergogna," they quoted as they ran.

Margaret" "Danaë" of Madrid The "Trinity" "Venus and Adonis" "La Fede." At last, in the autumn of 1545, the master of Cadore, at the age of sixty-eight years, was to see Rome, its ruins, its statues, its antiquities, and what to the painter of the Renaissance must have meant infinitely more, the Sixtine Chapel and the Stanze of the Vatican.