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When he learned, as a man of means soon must, that good pictures may still be bought in Italy, he promptly succumbed to the covetousness of the collector, and the motor-car became predatory. Its tonneau had contained surreptitious Lottos and Carpaccios. Its gyrations became an object of interest to the Ministry of Public Instruction. Once on crossing the Alps it had been searched to the linings.
On the same floor Margaret had a "den," a very neat and pretty den with good colour-prints of Botticellis and Carpaccios, and there was a third apartment for sectarial purposes should the necessity for them arise, with a severe-looking desk equipped with patent files.
Above one of the side altars are six small Carpaccios on panel much repainted the one with the figure of S. Martin bears his signature; also a Palma Giovine and an Andrea Schiavone. Beneath the step of the high-altar is the sarcophagus of Oriental marble, with porphyry cover, of the three saints, Agape, Chionia, and Irene, whose remains are interred in the crypt.
There were Raphael's Madonna of the Agnus Dei, Andrea del Sarto's Portrait of Lucrezia Fede, Titian's Salome, Botticelli's Madonna and Angels and numbers of Tintorettos, Carpaccios, Rembrandts, Velasquez. "What fine copies!" said Beautrelet, approvingly. Lupin looked at him with an air of stupefaction: "What! Copies! You must be mad!
Barrymore took me to the little church of San Giorgio degli Schiavoni to see the exquisite Carpaccios, because he was of opinion that Aunt Kathryn and Beechy would prefer to go shopping. Yet, after all, who should appear there but Beechy and Sir Ralph!
This perfectly correct yet tolerant gentleman was wintering in Venice in order to copy the Carpaccios in San Giorgio dei Schiavoni. His copies were not good, but they were all promised to artistic fair ladies, and the days which the painter spent upon them were happy and harmless.
The effects of lighting and color are so carefully studied, and the compositions of the originals are so closely followed that the illusion is sometimes startling; it is as if real Titians, Rembrandts, and Carpaccios hung on the wails of the Wellesley Barn. In 1889, also, the Glee and Banjo clubs were formed. In 1891, the Agora, the political society, came into existence.
Were it not for the Accademia's Tintorettos, Carpaccios and Bellinis, our own Venetian collection in Trafalgar Square would be much more interesting; and even as it is we have in "The Origin of the Milky Way" a Tintoretto more fascinating than any here; in "Bacchus and Ariadne" a more brilliant Titian than any here; some Bellinis, such as "The Agony in the Garden," the portrait of Loredano, and "The Death of S. Peter Martyr," that challenge his best here; two Giorgiones and several pictures notably of his school that cannot be matched here; the finest Catena that exists; a more charming Basaiti than any here; a better Antonello da Messina; and, according to some judges, the best Paul Veronese in the world: "The House of Darius"; while when it comes to Carlo Crivelli, he does not exist here at all.
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